Apple Final Cut Pro 5 Handbücher

Bedienungsanleitungen und Benutzerhandbücher für Software Apple Final Cut Pro 5.
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Apple Final Cut Pro 5 Bedienungsanleitung (376 Seiten)


Marke: Apple | Kategorie: Software | Größe: 4.15 MB |

 

Inhaltsverzeichnis

Final Cut Pro

1

User’s Manual

1

Apple Computer, Inc

2

Contents

3

10 Trimming Edits 201

9

13 Rendering 241

10

Contents

11

Appendix A

12

FXScript Reference 285

12

Appendix B

13

Appendix C

14

Keyboard Shortcuts 339

14

Index 357

15

Getting Started

17

Chapter 1

18

Getting Started

19

About Apple FireWire

22

Apple FireWire Basic

22

System Configurations

23

1 through 6 Available

25

7 SCSI PCI card (terminated)

25

8 through 15 Available

25

68-pin connector

26

Getting Started 27

27

Final Cut Pro Tutorial

29

Chapter 2

30

Browser Timeline

30

Viewer Canvas

30

Tool palette

30

Final Cut Pro Tutorial 31

31

Final Cut Pro Tutorial 33

33

Playhead

33

Final Cut Pro Tutorial 35

35

Play button

35

Overwrite section

35

Mark In button

36

Mark Out button

36

Final Cut Pro Tutorial 37

37

In point Out point

37

Target track indicators

37

Final Cut Pro Tutorial 39

39

Shuttle control

40

Final Cut Pro Tutorial 41

41

Final Cut Pro Tutorial 43

43

Marker in Canvas

43

Marker in Timeline

43

Match Frame button

43

Jog control

43

Replace section

44

Final Cut Pro Tutorial 45

45

Overwrite with

45

Transition section

45

Transition icon

46

Render bar (red) over

46

Final Cut Pro Tutorial 47

47

Final Cut Pro Tutorial 49

49

Drag Hand

50

Clip Overlays button

50

Final Cut Pro Tutorial 51

51

Keyframe indicator

51

Final Cut Pro Tutorial 53

53

Add Keyframe button

53

Playhead in the

54

Scrubber

54

3 Click the Filters tab

55

Color Level

56

Final Cut Pro Tutorial 57

57

Drop Shadow

57

Target Track indicator

57

(yellow when on)

57

Final Cut Pro Tutorial 59

59

Overlay and numeric value

59

Distort tool

60

Final Cut Pro Tutorial 61

61

Keyframe symbol

61

Rotation graph

62

Rotation text box

62

Final Cut Pro Tutorial 63

63

Final Cut Pro Tutorial 65

65

Final Cut Pro Tutorial 67

67

Timecode

67

Final Cut Pro Tutorial 69

69

Visibility indicator

69

Rendering the Sequence

70

Final Cut Pro Tutorial 71

71

Understanding Final Cut Pro

73

The Canvas

74

The Timeline

74

The Browser

75

The Tool Palette

76

Tool Name Icon Function

77

Pen Delete Deletes a keyframe

78

Tape,” on page 251

79

Presets,” on page 95

80

Sequence Settings

81

Project Properties

81

Item Properties

82

Trim Edit

82

Shortcut Menus

83

Tabbed Windows

84

Scrubber bar

85

Customizing the Screen Layout

86

2 Click the General tab

87

Chapter 3

88

Using Both Systems Together

89

Timecode Keyboard Shortcuts

90

Overwrite

91

Preferences and Presets

95

Preferences and Presets 97

97

Preferences and Presets 99

99

Chapter 4

100

Preferences and Presets 101

101

2 Click the Capture tab

102

Preferences and Presets 103

103

Preferences and Presets 105

105

2 Select the preset you want

106

Preferences and Presets 107

107

Preferences and Presets 109

109

Preferences and Presets 111

111

Chapter 5

114

7 Click OK

128

2 Do one of the following:

130

Chapter 6

134

Sorting Items in the Browser

136

About the Browser Columns

137

2 Click the name

139

The Video Tab

144

The Audio Tab

145

The Filters Tab

146

The Motion Tab

147

Chapter 7

148

3 Click Mark In or Mark Out

149

2 Open the Mark menu

150

Viewing Overlays

156

Understanding Audio Formats

157

Compressed Audio Formats

157

Turning Off Audio Scrubbing

157

Synchronizing Audio and Video

159

Chapter 8

164

Mixing Audio in Real Time

165

1 Select the Hand tool

167

Marking Edit Points

171

The Canvas Edit Overlay

172

Editing in the Timeline

174

The Canvas Two-Up Display

175

Locating a Match Frame

176

Chapter 9

178

Name Element Function

179

Scaling the Timeline Display

182

Selecting Clips

188

Linked Selection

188

1 Select the clip

190

Using Offline Clips

193

4 Click OK

195

Trimming Edits

201

Types of Trimming Operations

202

Trimming Edits 203

203

Chapter 10

204

Trimming Edits 205

205

Trimming Edits 207

207

Trimming Edits 209

209

Creating Transitions

211

Chapter 11

212

1 Do one of the following:

213

Center on

214

Begin on

214

Creating Transitions 215

215

1 Select the transition

217

Using the Viewer Effects Tabs

219

Chapter 12

220

In point

221

Out point

221

Duration bar

221

Custom User Interfaces

224

Performance

224

Additional Filters

225

The Motion Properties

226

Types of Keyframes

233

Previous Keyframe

234

Next Keyframe

234

Set Keyframe

234

Editing a Motion Path

237

2 Select the Arrow tool

238

3 Click the curve keyframe

238

4 Do one of the following:

238

Importing Transparent Images

239

Rendering

241

Editing Render Quality Levels

242

Rendering 243

243

Video Rendering

244

Audio Rendering

244

Using Nested Sequences

244

Rendering 245

245

Chapter 13

246

Rendering 247

247

Creating Final Output

249

Chapter 14

250

Creating Final Output 251

251

Edit to Tape Operations

252

Creating Final Output 253

253

3 Insert a tape

255

Setting Mastering Options

255

Edit to Tape Device Settings

256

Creating Final Output 257

257

Setting EDL Export Options

258

Creating Final Output 259

259

Creating Final Output 261

261

Creating Final Output 263

263

Batch Export Columns

264

Creating Final Output 265

265

Naming Options Dialog Box

266

Managing Complex Projects

267

Chapter 15

268

Opening and Applying Scripts

272

The FXBuilder Tabs

273

Chapter 16

274

How Is a Script Structured?

275

276 Chapter 16

276

3 Name your text file

277

Statements

279

280 Chapter 16

280

Conditional Statements

280

Input Statements

280

Subroutines

281

Variables

281

Comments

283

FXScript Reference

285

Operators

286

Compound Operators

287

Operators and Regions

287

Operators and Strings

287

Data Type Syntax Description

287

Functions

288

Geometry

289

290 Appendix A

290

Command Syntax Description

290

292 Appendix A

292

Transform

293

294 Appendix A

294

296 Appendix A

296

298 Appendix A

298

300 Appendix A

300

302 Appendix A

302

Composite

303

304 Appendix A

304

306 Appendix A

306

External

308

310 Appendix A

310

312 Appendix A

312

314 Appendix A

314

Formatting

315

318 Appendix A

318

Variable Description

318

Statement Syntax Description

318

Definition

320

Assignment

321

Flow Control

322

324 Appendix A

324

Audio Transitions

325

Audio Filters

326

Filter Description

327

Video Transitions

328

Page Peel

329

Transition Description

331

Video Filters

332

Image Control

333

Using a Color Key

334

Perspective

336

Video Generators

338

Keyboard Shortcuts

339

Application Windows

340

Select, Cut, Copy, and Paste

341

Navigation

342

Finding Items

343

Scrolling

344

Screen Layout and Display

344

Projects and Sequences

344

Timeline

345

Logging and Capturing

346

Playing Video

347

In and Out Points

347

Keyboard Shortcuts 349

349

Keyboard Shortcuts 351

351

Keyboard Shortcuts 353

353

Tools and Modifier Keys

354

Keyboard Shortcuts 355

355

358 Index

358

Index 359

359

360 Index

360

Index 361

361

362 Index

362

Index 363

363

364 Index

364

Index 365

365

366 Index

366

Index 367

367

368 Index

368

Index 369

369

370 Index

370

Index 371

371

372 Index

372

Index 373

373

374 Index

374

Index 375

375

Apple Final Cut Pro 5 Bedienungsanleitung (178 Seiten)


Marke: Apple | Kategorie: Software | Größe: 5.93 MB |

 

Inhaltsverzeichnis

Final Cut Pro 7

1

Contents

3

A First Look at Final Cut Pro

7

Opening Final Cut Pro

8

Click Continue.3

9

Explore the BrowserJump In:

10

Sequence tabs

13

Explore the ViewerJump In:

14

Play button

15

Scrubber bar

15

Play In to Out button

17

In point marker

17

Out point marker

17

Navigate between edit points:

18

Explore the CanvasJump In:

19

Go to Previous Edit button

22

Go to Next Edit button

22

View pop-up menu

23

Explore the TimelineJump In:

24

Drag the clip to move it

25

Razor Blade tool

26

Selection tool

26

Track Height control

27

Learning About Sequences

29

Capture Clip button

38

Capture Batch button

39

Capture Now button

39

Drag the audio clip

50

...into the sequence

50

Preparing Clips in the Viewer

55

Current Timecode field

59

Timecode Duration field

59

Create a Title ClipJump In:

62

Font Color color picker

64

Add Motion

69

Move the playhead

70

Drag the title clip

72

Drag to rotate

73

Opacity keyframe button

75

Keyframe graph area

75

The opacity increases here

75

Add a keyframe here

76

Add a last keyframe here

76

Working with the Canvas

81

Show Match Frame button

84

Playhead Sync

84

Source controls

88

Add new tracks to a sequence:

90

Connect the v1 Source

91

Destination control

91

Drag the a1 and a2 Source

92

A4 Destination controls

92

Sequence In and Out

94

Sequence In point marking

95

Basic Editing

99

Getting Ready

100

Chapter 5 Basic Editing

102

Set In and Out points

102

Try This

103

Play Around Current

110

Frame button

110

Place a sequence In point

111

Sequence Out point

111

Set an In point here

112

Disconnected

112

Key Concepts

115

Working with Audio

117

Audio Mixer

118

Track level faders

118

Master fader

118

Audio tab

121

Shuttle control

121

Jog control

121

A1 and A2 fader sliders

122

Level slider

123

Pan slider

123

Add Marker button

123

Reset button

124

Increase in audio level

125

Drag the slider until the

127

Position the playhead here

128

Drag the Level slider to

129

Edit a sound using keyframes:

130

Place a keyframe

131

Drag the audio level

132

Keyframe navigation

133

Level Keyframe button

133

Audio level overlay in pink

134

Track Layout pop-up menu

136

Audio waveforms

136

Clip Overlays control

137

Creating Voiceovers

141

Drag the a2 Source

144

Track Visibility button

145

Review button

146

Discard Last Recording

146

Voiceover clips

147

Multiple takes

148

Sequence In and Out points

149

“Tint type” pop-up menu

155

Keyframe button

156

Place an Out point here

160

Place an In point here

160

Linked Selection button

161

Learning About Transitions

165

Handle before the In point

168

Handle after the Out point

168

Getting Answers

177

What’s Next?

178

Apple Final Cut Pro 5 Bedienungsanleitung (1868 Seiten)


Marke: Apple | Kategorie: Software | Größe: 43.55 MB |

 

Inhaltsverzeichnis

Final Cut Pro 5

1

User Manual

1

Volume I

2

Interface, Setup

2

Documentation and Resources

10

Onscreen Help

11

Apple Websites

12

Part I: An Introduction

14

About the Postproduction

16

Workflow

16

The Postproduction Workflow

17

Video Formats and Timecode

22

Using Multiple Video Formats

23

Video Format Basics

24

How Drop Frame Timecode Works

27

Understanding Projects

28

Clips, and Sequences

28

What Are Clips?

29

What Are Sequences?

30

What Are Projects?

31

What Are Bins?

32

Working With Projects

33

Opening and Closing Projects

35

To switch between

36

Filenaming Considerations

38

Avoiding Special Characters

39

Using Filename Extensions

40

Using Multiple Hard Disks

40

Part II: Learning About

42

Overview of the

44

Final Cut Pro Interface

44

Using Keyboard Shortcuts

46

Using Button Bars

47

Using Shortcut Menus

47

This tooltip appears when

48

Moving Windows

51

Undoing and Redoing Changes

52

Browser Basics

54

Learning About the Browser

55

Working in the Browser

56

Hold the Option key

58

Enter a new name for the

59

Using Columns in the Browser

60

Choosing Views in the Browser

62

Before using the

69

Arrange command

69

After using the

69

Setting the Poster Frame

70

Viewer Basics

72

Opening a Clip in the Viewer

73

Learning About the Viewer

74

Tabs in the Viewer

76

Filters Tab

77

Motion Tab

77

Controls Tab

78

Playhead Controls

79

Jog Control

80

Shuttle Control

80

Marking Controls

81

Zoom and View Pop-Up Menus

82

Displaying native

83

Display pixel as square

83

View Pop-Up Menu

84

Playhead Sync Pop-Up Menu

85

Chapter 6 Viewer Basics 85

86

Recent Clips Pop-Up Menu

87

Generator Pop-Up Menu

87

Canvas Basics

88

Learning About the Canvas

90

Edit Overlay

92

Edit Buttons in the Canvas

92

97

98

Playing Clips and Sequences

99

To move around, drag the

101

> Moves through

102

. Moves through

102

Looping Playback

104

Current Timecode field

105

Timecode Duration field

105

Dragging Timecode Values

107

Timeline Basics

110

Learning About the Timeline

113

Editing Controls

114

Vertical Multitrack Controls

115

Horizontal Time Controls

116

Timeline Display Controls

118

Audio Controls

119

Other Miscellaneous Controls

120

Audio waveform

126

Without audio

126

Through edit

127

Track Height

129

Clip Overlays

129

Pop-Up Menu

130

Duplicate frames

131

Different colors indicate

131

Navigating in the Timeline

132

Playhead

133

Drag the Zoom control

135

Before zooming in

137

The playhead remains

137

After zooming in

137

Position of playhead

138

One-minute increment

138

Scroll bar

139

Customizing the Interface

140

Default Two Up layout

141

Layout after making the

141

Browser and Timeline

141

Using Screen Layouts

142

Customizing Screen Layouts

143

Assigning Keyboard Shortcuts

147

If you enter “edit,” all

148

The keyboard shortcut

149

Removing Shortcut Buttons

156

Part III: Setting Up Your

158

Overview of Setting Up

160

Designing Your Editing System

164

Video Interfaces

166

Audio Interfaces

167

USB or FireWire

168

FireWire

168

Device Control Interfaces

169

Scratch Disks

169

FireWire cable

170

Connecting Your Camcorder

170

Choosing an Easy Setup

171

What Is FireWire?

176

What Is Device Control?

177

Device status

178

Determining Your Hard Disk

180

Storage Options

180

Know Your Shooting Ratio

182

Choosing a Hard Disk

184

Types of Hard Disk Drives

185

ATA Disk Drives

186

FireWire Disk Drives

187

SCSI Disk Drives

187

Using a RAID or Disk Array

188

Fiberchannel

189

Storage Area Networks (SAN)

190

Connecting Professional

192

Choosing a Video Interface

193

USB interface

195

Choosing an Audio Interface

202

Connecting Audio Devices

205

Establishing Device Control

207

External Video Monitoring

210

” on page 220

219

Part IV: Logging, Capturing

224

Overview of Logging

226

Log and capture

230

Preview area

230

Logging, Clip Settings, and

230

Capture Settings tabs

230

Preview Area

231

Log and Capture Buttons

235

Logging Clips

238

Benefits of Logging

239

Preparing to Log

240

Choosing Reel Names

241

Overview of Logging Steps

244

Inserting a Tape in the VTR

245

The slate icon appears

247

Enter the Out point

249

Enter the In point

249

Changing Capture Settings

256

Logging a Clip

257

Logging Media Efficiently

258

Before You Capture

262

Batch Capturing Clips

263

Before You Batch Capture

264

Detection

274

A marker appears in front

275

Markers for a clip

275

All of the material

276

If you aren’t using device

278

Capture window is

278

Recapturing Clips

279

Capturing Audio

286

Preparing for Audio Capture

287

Dual Mono Versus Stereo Audio

291

VU meter

294

Final Cut Pro

294

About Audio Peaks

295

Choose the appropriate

296

Make sure you choose

296

Reference video

298

Working With Batch Lists

300

Creating a Batch List

301

01:20:00;15

302

Importing a Batch List

304

Importing Media Files

306

Into Your Project

306

Clips you drag directly

310

Browser)

310

About Importing Video Files

311

About MXF-Based Formats

312

Importing From a Sony VDU

313

About Media File Optimization

313

About Importing Audio Files

314

Choose a save option

319

Choose a place

319

If you wish, enter a name

319

Drag the clips to

320

Using Color Bars

322

What Is Setup?

326

Waveform Monitor

327

Vectorscope

327

Choose Targets from

328

“Legal” Broadcast Colors

330

When monitor brightness and

334

Volume II

336

© 2005 SuperEgo Records

337

Part II Rough Editing

339

Contents 5

340

6 Contents

341

Contents 9

344

Contents 11

346

Part I: Organizing Footage

348

Organizing Footage

350

Creating New Bins

351

Opening Bins in the Browser

352

Drag the bin’s tab above

355

The bin now has its own

355

Moving Items Between Bins

356

You can also move

357

About Label Names and Colors

358

These are the various

359

Select the clips

360

Then Control-click

360

Changing Names of Labels

361

Sorting Clips by Labels

361

About Search Options

363

Search Commands

365

A list of unused clips is

367

Results window

367

Control-click in a

368

Then click here

369

Select items you want

369

Creating Subclips

370

Numbered subclips are

371

A new subclip appears in

372

Removing Subclip Limits

373

Turning Markers Into Subclips

374

Creating Subclips Manually

376

Editing With Subclips

376

After Capturing

377

Video and Audio

380

Duration of Merged Clips

383

A line appears

385

The new merged

386

Using Markers

388

Types of Markers

390

Working With Markers

391

Chapter 4 Using Markers 57

392

Quickly Adding Markers

393

Chapter 4 Using Markers 59

394

Chapter 4 Using Markers 61

396

Navigating With Markers

397

Chapter 4 Using Markers 63

398

Moving a Marker

399

Chapter 4 Using Markers 65

400

Extending a Marker’s Duration

402

Enter the desired

403

Chapter 4 Using Markers 69

404

Part II: Rough Editing

406

73

408

Choose a time

410

You can change the

410

Comment column headings

410

Returning to Saved Projects

411

About Offline Clips

414

Sequences as Clips

415

Control-click a column

416

82 Part II Rough Editing

417

Finding a Clip’s Media File

418

84 Part II Rough Editing

419

Enter a new name

420

Opening and Closing Sequences

421

Duplicating a Sequence

422

88 Part II Rough Editing

423

Nesting a Sequence

424

When Rendering Is Required

425

The Fundamentals

428

94 Part II Rough Editing

429

Undoing and Redoing Actions

431

98 Part II Rough Editing

433

100 Part II Rough Editing

435

Setting Edit Points

436

102 Part II Rough Editing

437

The Out point includes

438

104 Part II Rough Editing

439

Mark Out button (O)

440

Mark In button (I)

440

106 Part II Rough Editing

441

Reviewing Your Edit Points

442

108 Part II Rough Editing

443

110 Part II Rough Editing

445

In point

446

The new clip begins at

446

112 Part II Rough Editing

447

In and Out points are

448

The new clip’s duration is

448

114 Part II Rough Editing

449

Move the playhead

450

Auto Select is enabled for

450

116 Part II Rough Editing

451

Select the desired clips

452

118 Part II Rough Editing

453

Moving In and Out Points

454

Clearing In and Out Points

455

Working With Tracks

458

Adding Tracks

459

Deleting Tracks

461

Setting Destination Tracks

463

130 Part II Rough Editing

465

132 Part II Rough Editing

467

134 Part II Rough Editing

469

Resizing Timeline Tracks

470

136 Part II Rough Editing

471

Saving Track Layouts

472

138 Part II Rough Editing

473

To eliminate audio tracks

474

Drag-to-Timeline Editing

476

142 Part II Rough Editing

477

144 Part II Rough Editing

479

While Dragging

481

Three-Point Editing

484

150 Part II Rough Editing

485

Performing an Insert Edit

489

Before an insert edit

490

After an insert edit

490

New clip is inserted

490

156 Part II Rough Editing

491

Performing an Overwrite Edit

492

158 Part II Rough Editing

493

Performing a Replace Edit

495

162 Part II Rough Editing

497

The video track should

498

164 Part II Rough Editing

499

In and Out points define the

500

Superimposing Clips

501

DBefore edit

502

168 Part II Rough Editing

503

Three-Point Editing Examples

504

170 Part II Rough Editing

505

In and Out points

506

172 Part II Rough Editing

507

You can use this method

507

Into Your Sequence

509

175

510

176 Part II Rough Editing

511

178 Part II Rough Editing

513

Selecting Clips

515

Selecting an Individual Clip

516

Selecting Multiple Clips

517

184 Part II Rough Editing

519

All clips in V1

520

186 Part II Rough Editing

521

188 Part II Rough Editing

523

Choose additional

524

190 Part II Rough Editing

525

Before deleting

526

192 Part II Rough Editing

527

Option-click the control

528

Auto Select

528

195

530

196 Part II Rough Editing

531

Moving by Dragging

532

Moving Clips Numerically

533

Clip Collision message

534

Performing Shuffle Edits

535

202 Part II Rough Editing

537

Copied clip items

538

Pasted clip items

538

204 Part II Rough Editing

539

206 Part II Rough Editing

541

Selected clip items

542

After a lift edit, a gap is

542

208 Part II Rough Editing

543

Finding and Closing Gaps

544

210 Part II Rough Editing

545

In and Out points set

546

Auto Select control

546

Cutting Clips

548

214 Part II Rough Editing

549

The Razor Blade All

550

216 Part II Rough Editing

551

218 Part II Rough Editing

553

Linking and Editing

554

Video and Audio in Sync

554

220 Part II Rough Editing

555

Audio moved away

556

Audio moved back

556

222 Part II Rough Editing

557

224 Part II Rough Editing

559

226 Part II Rough Editing

561

Moving a Clip Into Sync

563

230 Part II Rough Editing

565

Before syncing

566

After syncing

566

232 Part II Rough Editing

567

Between Linked Clip Items

568

234 Part II Rough Editing

569

236 Part II Rough Editing

571

Split Edits

572

238 Part II Rough Editing

573

Chapter 15 Split Edits 239

574

240 Part II Rough Editing

575

Chapter 15 Split Edits 241

576

242 Part II Rough Editing

577

Split Edit Examples

578

244 Part II Rough Editing

579

Chapter 15 Split Edits 245

580

246 Part II Rough Editing

581

Working With Multiclips

582

248 Part II Rough Editing

583

Multiclip Workflow

584

250 Part II Rough Editing

585

252 Part II Rough Editing

587

254 Part II Rough Editing

589

Overlapping timecode

590

Creating a Multiclip

591

Creating Multiclip Sequences

592

258 Part II Rough Editing

593

Creating a Multiclip Sequence

595

Multiclip Sequence Examples

597

Timecode offset

598

264 Part II Rough Editing

599

266 Part II Rough Editing

601

4-up view 9-up view

602

View pop-up menu

602

268 Part II Rough Editing

603

Viewing Multiclip Overlays

604

270 Part II Rough Editing

605

Drag a clip to an

606

Insert New Angle

606

272 Part II Rough Editing

607

274 Part II Rough Editing

609

Before the switch, the

610

After the switch

610

276 Part II Rough Editing

611

Switching Angles

612

Cutting Between Angles

613

Individual audio items

614

Video item

614

280 Part II Rough Editing

615

282 Part II Rough Editing

617

284 Part II Rough Editing

619

Switching Angles With Effects

620

286 Part II Rough Editing

621

288 Part II Rough Editing

623

Audio Editing Basics

624

290 Part II Rough Editing

625

Waveforms for a stereo

626

292 Part II Rough Editing

627

294 Part II Rough Editing

629

Editing Audio in the Viewer

630

296 Part II Rough Editing

631

Stereo audio tab

632

Audio track a1

632

Audio track a2

632

298 Part II Rough Editing

633

300 Part II Rough Editing

635

Use the drag hand to

636

302 Part II Rough Editing

637

New Out point set

638

The Out point of audio

638

Original Out point

638

Editing Audio in the Timeline

639

306 Part II Rough Editing

641

Naming Audio Tracks

642

308 Part II Rough Editing

643

310 Part II Rough Editing

645

312 Part II Rough Editing

647

The long pause in your

648

314 Part II Rough Editing

649

316 Part II Rough Editing

651

Sliding Clips in the Timeline

656

Before edit

657

After edit

657

The timecode entry field

659

You slip items using

660

The duration of the

661

The sequence clip’s In and

661

Out points move together

661

Drag point

662

Entire length of media

662

Without Leaving a Gap

664

Performing Ripple Edits

665

These clips move left

668

This clip shortens

668

Roll edits are done

674

Selected edit point

675

Edit being rolled

676

After the roll edit, the

676

Tips for Using the Roll Tool

678

Learning About Trimming Clips

680

Click here to turn linked

682

Click here to turn

682

Selection tool

683

Selecting Single Edit Points

684

Multiple edit points

685

One edit per track is

685

This clip lengthens

688

Trimming Clips in the Viewer

689

Timecode Numbers

690

Moving Clips Using Timecode

691

Media Limit message

693

Trimming Clips

696

Using the Trim Edit Window

696

Outgoing clip

697

Incoming clip

697

Green bar

697

Go to Previous Edit

700

Go to Next Edit

700

Play Around Edit Loop

700

Play In to Out

700

Dynamic Trimming

704

Adding Transitions

710

Common Types of Transitions

711

A transition between

712

The center line

712

Having Handles at Edit Points

713

The added transition

716

Drag the transition to

720

Deleting Transitions

721

Before a roll edit

723

After a roll edit with the

723

Replacing Transitions

724

The transition now

725

Deleting Favorite Transitions

726

The white dots indicate

727

Sequence Settings window

728

Refining Transitions

732

Using the Transition Editor

732

Alignment buttons

734

Recent Clips pop-up

734

Drag hand

734

The start of an edge

736

The middle of an edge

736

Drag the hand from the

740

Transition Editor to an

740

Canvas to help you determine

743

Rendering Transitions

746

Sequence to Sequence Editing

748

4 Do one of the following:

750

Nesting Sequences

753

This nested sequence

756

After the Nested Sequence

757

Without Nesting It

758

A highlighted area shows

761

Matching Frames

762

Sprocket holes

763

The current frame in the

767

Viewer matches the

767

With the Viewer Playhead

769

Playhead Sync pop-up

770

The playhead is moved

772

Working With Timecode

774

Frame Rate Versus Timecode

775

Clip Time Versus Source Time

778

Timecode Overlays

780

The Modify Timecode dialog

782

Modifying Sequence Timecode

784

Working With 60 fps Timecode

786

Volume III

788

Audio Mixing

788

Part II Effects

793

Part I: Audio Mixing

800

Overview of Audio Mixing

802

Cleaning Up Audio

805

Adding Audio Filters

805

Making the Final Mix

806

Adjusting Audio Levels

808

Adjusting Pan

808

Setting Up Audio Equipment

810

Flat Not flat

812

Amplifiers and Signal Levels

813

Using Headphones

814

About Balanced Audio Signals

815

Inverted signal

816

(inverted again)

816

Combined signals

816

(noise eliminated)

816

Audio Connectors

817

Choose an

819

Click here to select

819

Audio Fundamentals

824

Fundamentals of a Sound Wave

825

Frequency Spectrum of Sounds

826

Measuring Sound Intensity

827

Decibel Units

828

Signal-to-Noise Ratio

829

Headroom and Distortion

829

Dynamic Range

830

Stereo Audio

831

Identifying Stereo Recordings

832

Digital Audio

833

Sample Rate

834

2 bit1 bit

836

16 bit4 bit

836

Audio Levels, Meters

838

Analog Versus Digital Meters

840

What Does 0 dB Mean?

841

Yellow peak level

842

Clip Indicators

843

Audio Peak Detection

844

Setting Proper Audio Levels

845

Labeling Your Tapes

847

About Audio Output Presets

848

Stereo Versus Dual Mono Audio

852

Overview of the Audio Mixer

854

Controls in the Audio Mixer

855

Track Visibility Area

856

Track Strips Area

857

Acceptable range

859

Clipping range

859

Master Area

860

View Buttons

862

Record Audio Keyframes Option

862

Source Pop-Up Menu

863

Using Audio Mixer Views

864

These tracks

865

Using the Audio Mixer

866

Mute button in the

868

Audio Mixer

868

Timeline

868

Audio Controls button

868

Solo button in the Audio

869

Solo button in the

869

Audio controls button

869

Changes made to faders

870

...affect only the audio

870

Changing a Clip’s Pan

875

Place the pointer over

879

Modifying Recorded Keyframes

883

Existing Automation

884

Click one or both of

885

Connecting a Control Surface

886

Installing a Control Surface

887

Tracks 1–8

889

Tracks 9–16

889

Mixing Audio

896

Volume level overlay

897

Change in volume level

897

The keyframe appears as

898

Enter a new value

902

Adjust Line Segment

903

Panning Audio in the Timeline

904

Pan slider

905

Enter a value in one

906

The pointer turns into an

907

Adjust Line Segment pointer

907

As you drag, a box displays

907

Tools for Adjusting Keyframes

908

Level Keyframe

909

Pan Keyframe button

909

Reset button

909

A keyframe appears at the

910

Keyframe being moved

912

Keyframes set

915

Lowered levels

915

Adjust the slope of

916

When you’ve zoomed

917

The problem samples

918

The overlay looks

918

Using the Voice Over Tool

922

Microphone

924

USB audio

924

PowerBook

924

Headphones

924

20-second point

925

The newly recorded

933

Recording a Voiceover

935

Recording Multiple Takes

936

Appears in Your Sequence

937

Using Audio Filters

938

Overview of Audio Filters

939

Compression

941

Expansion

942

Noise Reduction Filters

943

Echo and Reverb Filters

944

Working With Audio Filters

946

Drag a filter from

948

...to the Timeline

948

Select several filters

949

...then drag them to the

949

In and Out points in the

954

Controls in the Filters Tab

956

Trash can icon

959

Tips for Better Audio

962

Tips for Cutting Dialogue

963

Tips for Cutting Music

966

Instead of placing audio

967

... do this

967

Organizing Your Tracks

968

Part II: Effects

970

Applying a Filter to a Clip

973

... to the sequence clip

975

Drag the Start or End

977

The End point dragged

977

Select multiple filters

978

Then, drag the filters

978

Keyframe navigation

980

Keyframe button

980

Keyframe graph ruler

981

Keyframe graph area

981

Filter Start and

981

End points

981

Section of clip not used

981

Using Filter Controls

982

Double-sided

983

Logarithmic slider

983

Point control

984

X and y coordinates

984

Angle control

984

Clip control

986

Filter bar for a video track

986

Clip Keyframes button

986

To copy a clip’s filter

988

Removing Filters From Clips

989

Using After Effects Filters

989

Blur Filters

990

Border Filters

991

Channel Filters

991

Color Correction Filters

992

Distort Filters

993

Image Control Filters

994

Key Filters

995

Settings window

996

Matte Filters

997

Perspective Filters

999

Sharpen Filters

999

Stylize Filters

1000

Video Filters

1001

Changing Motion Parameters

1004

Basic motion parameters

1005

Distort attribute

1005

Some parameters must

1006

Motion Blur parameters

1006

Drop Shadow parameters

1006

Controls in the Motion Tab

1007

Canvas center point

1010

-360 pixels +360 pixels

1010

-240 pixels

1010

+240 pixels

1010

Initial background layer

1012

Sequence In and

1012

Out points

1012

Motion settings for the

1020

A soft border appears

1020

Both selected clips now

1022

The background clip

1022

Choosing a Wireframe Mode

1023

Which View Should You Use?

1024

Crop and Distort Tools

1025

Zooming In to the Canvas

1026

Drag a corner handle

1027

Shift-drag a corner

1027

Use the Distort tool to

1034

Adjusting Parameters

1036

How Keyframing Works

1037

Zoom control

1041

Zoom slider

1041

Timecode

1041

Pen Smooth tool

1042

Pen tool

1042

Pen Delete tool

1042

Setting Keyframes

1043

As you drag, a box

1046

Drag the area up or down

1046

Moving Between Keyframes

1047

Thumb tabs on either

1048

Layer the clips, with one

1050

Create five keyframes at

1054

1-second intervals

1054

Two keyframes with

1055

Bezier handle on one

1055

Smoothing Keyframes

1058

What Are Motion Paths?

1060

Creating Motion Paths

1061

Press Shift, then drag to

1063

Tic marks farther apart

1065

Tic marks closer together

1065

The pointer changes

1068

About the Keyframe Graph Area

1070

Drag the resize pointer

1073

Keyframe Editor Resize

1073

Reusing Effect

1074

Checkboxes are available

1078

Auto Select controls

1079

Enter the new name for

1083

Previewing Effects

1086

Controls in the QuickView Tab

1090

Playback in the QuickView Tab

1091

Changing Clip Speed

1094

Performing a Fit to Fill Edit

1095

Set In and Out points

1096

Constant Speed

1098

Making Constant Speed Changes

1101

Making Variable Speed Changes

1102

Last frame of clip

1104

First frame of clip

1104

Length of clip’s media

1104

Motion bar (blue)

1105

Speed indicator area

1105

Speed tooltips

1105

Keyframe editor

1105

Speed indicators

1107

Clip Keyframes control

1107

At normal speed, the

1108

Slow speed

1108

Fast speed

1108

Reverse indicators

1109

Variable indicators

1109

Using the Time Remap Tool

1110

Time Remap

1111

To scrub through a clip in

1114

Shift key, then click a clip

1114

Linear time

1116

Slow motion

1116

Fast forward

1117

Reverse speed

1117

Acceleration

1118

Time Remap parameters

1119

Time Graph Output

1119

Working With Still Images

1122

3000 x 2000

1125

720 x 480

1125

Video Is Not 72 Dots per Inch

1126

720 X 486 Broadcast

1129

(720 X 480 DV)

1129

640 X 480

1129

Looks right

1130

Looks wrong

1130

Using Alpha Channels

1131

Enter a new duration in

1134

Enter a new duration here

1134

4000 X 3000

1135

Set the Scale

1136

Starting position

1138

Center parameter

1138

Ending keyframe

1139

Drag the velocity

1140

Compositing and Layering

1142

Opacity is used to blend

1145

Working With Composite Modes

1148

The matte clip

1154

The main clip to be

1155

Photoshop File

1156

Control-click in the Alpha

1162

Dark areas are

1163

White areas are solid

1163

Alpha channel display

1164

Background display

1164

Choosing a Background

1167

Soloed clip item

1170

Overlapping clip items on

1170

Keying, Mattes, and Masks

1172

A four-point matte outlining

1173

Use Proper Lighting

1176

Your Background Screen

1177

Visual interface of

1181

Copy Filter controls

1181

Select Color button

1184

Invert Selection button

1184

The image is cropped

1189

The background image now

1190

The background image is

1190

Click the Point 1 crosshair

1191

The finished matte image

1193

Create keyframes for

1193

The four points are

1193

The clip’s image remains

1196

Color Correcting Clips

1198

Telecine Color Correction

1201

Tape-to-Tape Color Correction

1203

Luma (Luminance)

1205

Chrominance (Chroma)

1206

Blacks, Mids, and Whites

1207

Illegal Broadcast Levels

1208

Enabling Range Checking

1209

The Tool Bench appears

1211

The shortcut menu in

1213

This dip in the

1214

An image with high

1215

An image with low

1215

Red of clothing

1216

Blue of background

1216

Distribution of blues

1216

Low-contrast image

1219

High-contrast image

1219

High blue levels

1219

This image contains

1220

The Color Correction Process

1221

A color correction tab

1225

Click this to view that

1225

General Controls

1226

Copy Filter Controls

1227

Color Balance Controls

1231

Level sliders

1233

Auto Black Level button

1233

Saturation control

1233

Auto White Level button

1233

Auto Contrast button

1233

Choose All so that all

1236

The balance control

1238

After color correction

1238

Before color correction

1238

Blacks Reset button

1240

Blacks Select

1240

Auto-balance Color

1240

Color Balance controls

1240

Auto White

1242

Level button

1242

Auto Black

1242

This example shows how

1244

Move the Mids

1246

... so more detail comes

1246

Click the eyedropper near

1248

Click the eyedropper

1249

Before After

1249

Adjust the Mids

1250

Balance control to

1250

Before adjusting

1252

After adjusting

1252

Multiple Edits layout

1253

Move the playhead so it’s

1255

Split-screen mode

1255

The Multiple Edits

1256

Second clip

1256

First clip

1256

Hue Matching Controls

1259

The Hue Matching controls

1260

Click a highlight

1261

The color balance of both

1263

Limit Effect Controls

1264

The bicycle remains red and

1270

Highlight Desaturation

1271

Lows Desaturation

1271

The Broadcast Safe Filter

1273

What Is a Generator Clip?

1276

Some generators

1280

Click the Controls tab to

1281

Creating Titles

1282

Installing and Choosing Fonts

1283

Chapter 23 Using RT Extreme

1294

Chapter 24 Rendering

1294

Using RT Extreme

1296

510 Part III Output

1297

About Safe Real-Time Playback

1299

Orange video render bars

1300

514 Part III Output

1301

Available Real-Time Effects

1303

What Is Gamma Correction?

1304

More About Gamma Correction

1305

About Render Status Bars

1306

520 Part III Output

1307

522 Part III Output

1309

Settings in the Real-Time

1310

Effects (RT) pop-up menu

1310

524 Part III Output

1311

526 Part III Output

1313

528 Part III Output

1315

530 Part III Output

1317

532 Part III Output

1319

Rendering

1320

Reasons for Rendering

1321

Chapter 24 Rendering 535

1322

Video Render Status Bars

1323

Audio Render Status Bars

1324

About Item-Level Render Bars

1325

The Rendering Process

1326

540 Part III Output

1327

Chapter 24 Rendering 541

1328

542 Part III Output

1329

Chapter 24 Rendering 543

1330

544 Part III Output

1331

Rendering Part of a Sequence

1332

Using the Mixdown Command

1333

Chapter 24 Rendering 547

1334

548 Part III Output

1335

Changing Render Settings

1336

About Video Bit Depth

1337

About Color Space Conversion

1338

About Maximum White Levels

1338

552 Part III Output

1339

Rendering and Color Bars

1340

554 Part III Output

1341

Chapter 24 Rendering 555

1342

556 Part III Output

1343

Chapter 24 Rendering 557

1344

558 Part III Output

1345

Managing Your Render Files

1346

Using the Render Manager

1347

Chapter 24 Rendering 561

1348

Preserving Render Files

1349

Chapter 24 Rendering 563

1350

Reducing Render Time

1351

Volume IV

1352

Media Management

1352

© 2004 Jean-Paul Bonjour;

1353

© 2004 Eric Escobar

1353

Contents

1354

4 Contents

1355

Part II Project Interchange

1356

Part III Output

1357

Contents 7

1358

8 Contents

1359

Part VAppendixes

1360

10 Contents

1361

Part I: Media and Project

1362

Management

1362

Backing Up

1370

Using the Autosave Feature

1371

ProjectName_MM-DD-YY_HHMM

1372

Restoring Autosaved Projects

1373

Is Unexpectedly Powered Off

1374

Archiving Completed Projects

1375

Before Updating Projects

1376

Updating Projects

1377

Elements of a

1380

Final Cut Pro Project

1380

Types of Clips

1381

Sequences

1383

Clip Properties

1385

 Browser columns

1386

Working With

1392

Master and Affiliate Clips

1392

Identifying Master Clips

1393

Independent Clips

1397

Finding a Clip’s Master Clip

1399

Master Clip Properties

1400

Affiliate Clip Properties

1401

Media File Properties

1401

Offline and Online Editing

1402

OfflineRT Sequence

1408

ClipClip Clip

1413

Desktop

1413

Editing System

1413

Reconnecting Clips

1414

These are offline clips

1415

Can Be Broken

1416

Making Clips Offline

1417

Select the files you

1422

You can select which

1426

Overview of the Media Manager

1428

Summary Area

1432

Media Area

1432

Project Area

1437

Media Destination Area

1438

How Subclips Are Processed

1440

Examples of How to Use

1444

Using the Media Manager

1445

A message appears if

1446

Decide what you want to

1447

Select the sequence

1448

Media Files

1449

After Creating Subclips

1454

Press Command-A

1457

Diagnostic Tools for Clips

1460

Locate the file you want

1462

Video track information

1463

Audio track information

1463

Timecode track

1463

File information

1463

A long frame marker

1465

Detecting Audio Peaks

1466

For a clip in a sequence

1467

Part II: Project Interchange

1468

Importing and Exporting EDLs

1470

Learning to Read an EDL

1471

Elements of an EDL

1472

Exporting EDLs

1475

Reviewing an EDL

1482

Limitations of Importing EDLs

1483

Problems Importing EDL Files

1484

Creating Better EDLs

1486

Maintaining Accurate Timecode

1487

Enter a reel name here

1488

Join Through Edits

1490

Avoid Nested Sequences

1492

Exporting Audio for

1496

Mixing in Other Applications

1496

Choose the Bars and

1499

Tone setting for NTSC or

1499

PAL, depending on your

1499

This shows the sync beep

1501

All other tracks are

1502

Make sure just the

1502

Exporting a Downmix

1505

Exporting OMF Audio Files

1509

Disabled tracks are

1510

Select the desired

1511

Importing and Exporting

1514

Final Cut Pro XML

1514

Tags and Elements

1515

Attributes of XML Elements

1516

Whitespace

1517

Document Type Definitions

1517

Part III: Output

1524

Preparing to Output to Tape

1526

176 Part III Output

1527

Output Requirements

1528

178 Part III Output

1529

180 Part III Output

1531

Selecting Playback Settings

1532

Selecting Render Settings

1532

Cueing the Videotape

1533

Calibrating Your Timecode

1533

184 Part III Output

1535

Assemble and Insert Editing

1536

Using Edit to Tape

1536

186 Part III Output

1537

About Insert Editing to Tape

1538

About Tracks on Videotape

1539

About the Edit to Tape Window

1540

190 Part III Output

1541

192 Part III Output

1543

Mastering Settings Tab

1544

194 Part III Output

1545

Device Settings Tab

1547

Using the Edit to Tape Window

1548

198 Part III Output

1549

200 Part III Output

1551

202 Part III Output

1553

Drag the clip or

1554

Or click the Insert

1554

Edit button

1554

204 Part III Output

1555

Printing To Video and Output

1558

From the Timeline

1558

Printing to Video

1559

Mark In and Out

1560

210 Part III Output

1561

Recording From the Timeline

1562

212 Part III Output

1563

Outputting to VHS Tape

1564

Exporting Sequences for DVD

1566

216 Part III Output

1567

Video for DVD

1568

Audio for DVD

1569

About the MPEG Format

1569

About Surround Sound Audio

1570

More About Chapter Markers

1571

Using iDVD

1573

Using DVD Studio Pro

1574

Using Compressor

1574

224 Part III Output

1575

Learning About QuickTime

1578

QuickTime for Media Authoring

1579

Codecs Supported in QuickTime

1580

230 Part III Output

1581

Movie File Formats

1583

234 Part III Output

1585

Audio File Formats

1587

Exporting QuickTime Movies

1590

240 Part III Output

1591

Recompressing the Media

1592

242 Part III Output

1593

A dialog shows you the

1594

245

1596

246 Part III Output

1597

248 Part III Output

1599

250 Part III Output

1601

252 Part III Output

1603

254 Part III Output

1605

Exporting a DV Stream

1607

Exporting an AVI File

1608

Exporting Still Images

1612

262 Part III Output

1613

Exporting Image Sequences

1615

Batch Exporting

1618

Clips and Sequences

1618

268 Part III Output

1619

If you want, enter a new

1620

270 Part III Output

1621

Select the

1622

272 Part III Output

1623

Select the options

1624

274 Part III Output

1625

Doing a Batch Export

1626

276 Part III Output

1627

Redoing Batch Exports

1628

Choosing Settings

1632

General Tab

1633

Editing Tab

1638

Labels Tab

1643

Timeline Options Tab

1644

Render Control Tab

1644

Audio Outputs Tab

1644

Changing System Settings

1645

Search Folders Tab

1646

Memory & Cache Tab

1647

Playback Control Tab

1648

External Editors Tab

1649

The path is

1650

Effect Handling Tab

1651

Audio/Video Settings

1652

Changing Audio/Video Presets

1655

Choosing Individual Presets

1656

Viewing Settings in a Preset

1657

Creating a New Preset

1658

Editing a Preset

1659

Deleting Presets

1660

Creating Custom Easy Setups

1660

Capture Settings and Presets

1666

Rate Field

1669

Click Compression

1670

Specify the

1670

Device Control Settings

1674

” on page 332

1678

Using FireWire Device Control

1680

Using Serial Device Control

1681

’ll need to compensate for

1684

Enter an appropriate

1684

then click OK

1685

Sequence Settings and Presets

1686

General Tab for Sequences

1687

Changing Sequence Settings

1695

Part V: Appendixes

1698

Video Formats

1700

350 Part V Appendixes

1701

Storage Medium

1702

Video Standards

1703

Type of Video Signal

1704

354 Part V Appendixes

1705

720 x 486 Versus 720 x 480

1707

Pixel Aspect Ratio

1708

Frame Rate

1709

Scanning Method

1709

About Progressive Scanning

1710

About Field Dominance

1711

Color Recording Method

1712

Color Sampling Ratio

1713

Bit Depth

1714

Video Compression

1715

Lossy Codecs

1716

Uncompressed Video

1716

DV Formats

1717

24p Video

1717

High Definition Video Formats

1718

Data Rate Comparisons

1720

Composite

1721

Component YUV (Y´C

1722

) and Component RGB

1722

372 Part V Appendixes

1723

SCART connector

1724

Frame Rate and Timecode

1728

378 Part V Appendixes

1729

Persistence of Vision

1730

380 Part V Appendixes

1731

Choosing a Frame Rate

1732

01:32:15:28

1734

Timecode on Tape

1737

Anamorphic 16:9 Media

1742

392 Part V Appendixes

1743

About Letterboxing

1744

Why Shoot 16:9 Video?

1745

Recording Anamorphic Video

1746

Capturing Anamorphic Media

1747

Check this box

1748

398 Part V Appendixes

1749

400 Part V Appendixes

1751

Solving Common Problems

1752

Solutions to Common Problems

1753

404 Part V Appendixes

1755

406 Part V Appendixes

1757

General Performance Issues

1758

Problems With Audio Quality

1758

Contacting AppleCare Support

1759

Glossary

1760

410 Glossary

1761

Glossary 411

1762

412 Glossary

1763

Glossary 413

1764

414 Glossary

1765

Glossary 415

1766

416 Glossary

1767

Glossary 417

1768

418 Glossary

1769

Glossary 419

1770

420 Glossary

1771

Glossary 421

1772

422 Glossary

1773

Glossary 423

1774

424 Glossary

1775

Glossary 425

1776

426 Glossary

1777

Glossary 427

1778

428 Glossary

1779

Glossary 429

1780

430 Glossary

1781

Glossary 431

1782

432 Glossary

1783

Glossary 433

1784

434 Glossary

1785

Glossary 435

1786

436 Glossary

1787

Glossary 437

1788

438 Glossary

1789

Glossary 439

1790

440 Glossary

1791

Glossary 441

1792

442 Glossary

1793

Glossary 443

1794

445

1796

446 Index

1797

Index 447

1798

448 Index

1799

Index 449

1800

450 Index

1801

Index 451

1802

452 Index

1803

Index 453

1804

454 Index

1805

Index 455

1806

456 Index

1807

Index 457

1808

458 Index

1809

Index 459

1810

460 Index

1811

Index 461

1812

462 Index

1813

Index 463

1814

464 Index

1815

Index 465

1816

466 Index

1817

Index 467

1818

468 Index

1819

Index 469

1820

470 Index

1821

Index 471

1822

472 Index

1823

Index 473

1824

474 Index

1825

Index 475

1826

476 Index

1827

Index 477

1828

478 Index

1829

Index 479

1830

480 Index

1831

Index 481

1832

482 Index

1833

Index 483

1834

484 Index

1835

Index 485

1836

486 Index

1837

Index 487

1838

488 Index

1839

Index 489

1840

490 Index

1841

Index 491

1842

492 Index

1843

Index 493

1844

494 Index

1845

Index 495

1846

496 Index

1847

Index 497

1848

498 Index

1849

Index 499

1850

500 Index

1851

Index 501

1852

502 Index

1853

Index 503

1854

504 Index

1855

Index 505

1856

506 Index

1857

Index 507

1858

508 Index

1859

Index 509

1860

510 Index

1861

Index 511

1862

512 Index

1863

Index 513

1864

514 Index

1865

Index 515

1866

516 Index

1867

Index 517

1868





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