Final Cut Pro XUser Guide
10What’s new in Final Cut Pro 10.0.6?Final Cut Pro 10.0.6 includes numerous new features and enhancements, detailed below.Advanced multichannel aud
Chapter 8 Edityourproject 100Drag les from the Finder 1 Arrange the windows onscreen so that you can see both the Final Cut Pro main window
Chapter 8 Edityourproject 101Insert Event Browser clips in the Timeline 1 Select one or more clips in the Event Browser. 2 Move the playhea
Chapter 8 Edityourproject 102 •To insert a gap clip: Choose Edit > Insert Gap (or press Option-W).Final Cut Pro inserts a blank clip (cont
Chapter 8 Edityourproject 103Connect clips to add cutaway shots, titles, and synchronized sound eectsYou can attach clips to other clips in
Chapter 8 Edityourproject 104Connect clips in the Timeline 1 If your project is empty, add clips to the dark gray primary storyline area in
Chapter 8 Edityourproject 105The rst frame of the source selection is connected to the clip in the primary storyline at the playhead or skim
Chapter 8 Edityourproject 106When you connect clips by dragging them, you have the option to put video clips below the primary storyline or p
Chapter 8 Edityourproject 107Move, trim, or delete clips in the primary storyline without aecting connected clipsIf you need to move or trim
Chapter 8 Edityourproject 108Overwrite parts of your projectIn an overwrite edit, one or more source clips overwrite any clips in the primary
Chapter 8 Edityourproject 109Replace a clip in your project with another clipYou can replace clips in your project with clips from the Event
Chapter 1 What’s new in Final Cut Pro? 11Dual viewersThe Event Viewer is a separate video display that appears next to the main Viewer so you c
Chapter 8 Edityourproject 110 3 Release the mouse button and choose an option from the shortcut menu: •Replace: The target clip is replaced
Chapter 8 Edityourproject 111Replace a clip in the Timeline using keyboard shortcuts 1 In the Event Browser, select the source clip or range
Chapter 8 Edityourproject 112Add layered graphics les to the TimelineYou can add layered graphics les, such as Adobe Photoshop (PSD) les,
Chapter 8 Edityourproject 113You can also create freeze frames from your video clips. For more information, see Create freeze frames on page
Chapter 8 Edityourproject 114Change the default duration of freeze-frame clipsFreeze-frame clips have the same default duration as still-imag
Chapter 8 Edityourproject 115Remove clips from your projectWhen you remove clips from a project in the Timeline, the source media in events,
Chapter 8 Edityourproject 116Solo, disable, and enable clipsSometimes, it’s helpful to compare how a sequence plays with and without certain
Chapter 8 Edityourproject 117Find a Timeline clip’s source clipYou can quickly nd the source event clip for any clip you’re using in your pr
Chapter 8 Edityourproject 118Move clips by entering a timecode valueYou can move selected clips in the Timeline by entering an amount of time
Chapter 8 Edityourproject 119Nudge clips with keyboard shortcutsThe nudging feature in Final Cut Pro allows you to move selected items by ver
Chapter 1 What’s new in Final Cut Pro? 12A/V outputYou can now connect your computer to an external video monitor for audio and video (A/V) out
Chapter 8 Edityourproject 12 0 2 Select the clip you want to move. 3 Drag the clip to a new position in the Timeline.The moved clip overwri
Chapter 8 Edityourproject 121 3 Do either of the following: •To move clips out of the primary storyline: Drag the clips from the primary sto
Chapter 8 Edityourproject 122Note: You can drag clips from and to the primary storyline as long as there are no clips connected to them. If
Chapter 8 Edityourproject 123CutandtrimclipsTrimming overviewAfter you’ve roughly assembled your clips in chronological order in the Timel
Chapter 8 Edityourproject 12 4 2 Move the skimmer to the frame in the clip where you want to cut, and click.Blade toolTip: You can also cut
Chapter 8 Edityourproject 12 5Cut multiple selected clips at onceYou can use the Blade command to cut selected primary storyline clips and co
Chapter 8 Edityourproject 126Extend or shorten a clipYou can trim a clip in your project by adjusting the start point or end point of the cli
Chapter 8 Edityourproject 127When you extend a clip to its maximum length in either direction, the clip edge turns red. Enter a new duration
Chapter 8 Edityourproject 12 8 2 Choose Edit > Trim to Selection.Final Cut Pro trims the clip start and end points to the range selection
Chapter 8 Edityourproject 12 9Move edit points to the playheadYou can adjust selected edit points in the Timeline, either as a ripple edit or
13What is Final Cut Pro?Final Cut Pro X is a revolutionary application for creating, editing, and producing the highest-quality video. Final Cut Pr
Chapter 8 Edityourproject 13 0Trim edit points using timecodeYou can trim clips numerically by entering timecode values. 1 If the Select too
Chapter 8 Edityourproject 131Cut the start or end of a clip at the playheadSome of your video clips may have sections at the beginning or the
Chapter 8 Edityourproject 132Make roll edits with the Trim toolA roll edit adjusts the start point and the end point of two adjacent clips si
Chapter 8 Edityourproject 133 2 In the Timeline, click the center of the edit point you want to roll so that both sides of the edit point ar
Chapter 8 Edityourproject 13 4Make slip edits with the Trim toolPerforming a slip edit doesn’t change a clip’s position or duration in the Ti
Chapter 8 Edityourproject 135Slip a clip in the Timeline 1 Choose the Trim tool from the Tools pop-up menu in the toolbar (or press T).The p
Chapter 8 Edityourproject 136With the current selection, you can also slip the clip with keyboard shortcuts by doing either of the following:
Chapter 8 Edityourproject 137Slide a clip in the Timeline 1 Choose the Trim tool from the Tools pop-up menu in the toolbar (or press T).The
Chapter 8 Edityourproject 138With the current selection, you can also slide the clip with keyboard shortcuts by doing either of the following
Chapter 8 Edityourproject 139Tip: You can use the Option key to change the detailed trimming feedback display on the y. If detailed trimmin
Chapter 2 Final Cut Pro basics 14 •Use connected clips and storylines to add cutaway shots, superimposed titles, and sound eects to your proje
Chapter 8 Edityourproject 140Zoom in to and out of the Timeline using the Zoom tool 1 Choose the Zoom tool from the Tools pop-up menu in the
Chapter 8 Edityourproject 141Adjust Timeline settingsIn Final Cut Pro, it’s very easy to adjust the Timeline display options. For example, yo
Chapter 8 Edityourproject 142 •To display clips with audio waveforms and video lmstrips of equal size: Click the third Clip Appearance butto
Chapter 8 Edityourproject 143When snapping is on, the Snapping button appears blue.Tip: To turn snapping on or o temporarily, hold down the
Chapter 8 Edityourproject 144Navigate by jumpingUse the following techniques to move the playhead quickly from point to point in the Timeline
Chapter 8 Edityourproject 145The new timecode values appear in the Dashboard as you enter them. When you press Return, the playhead moves to
Chapter 8 Edityourproject 146Show or hide the Timeline Index m Click the Timeline Index button in the lower-left corner of the Final Cut Pro
Chapter 8 Edityourproject 147You can specify which columns are displayed by Control-clicking a column heading and choosing an option from the
Chapter 8 Edityourproject 148 •To view a list of clips in the Timeline, organized by role: Click the Roles button at the top.Select a role na
Chapter 8 Edityourproject 149Work with markersMarkers overviewMarkers are reference points you can place within clips to locate, identify, an
Chapter 2 Final Cut Pro basics 15Share your movieWhen your project is nished, you can publish your movie right from Final Cut Pro to the web,
Chapter 8 Edityourproject 150 2 Do one of the following: •To add a marker: Choose Mark > Markers > Add Marker (or press M).Tip: To ad
Chapter 8 Edityourproject 151 1 To view a marker’s information, do one of the following: •Select the marker and choose Mark > Markers >
Chapter 8 Edityourproject 152Move or copy a markerYou can move or copy markers with the familiar Mac commands Cut, Copy, and Paste. 1 Contro
Chapter 8 Edityourproject 153Create a chapter marker 1 Add a marker to a clip in the Timeline where you want the chapter to begin.By default
Chapter 8 Edityourproject 154 2 To set the video frame for the chapter marker thumbnail image, drag the pin left or right in the Timeline.As
Chapter 8 Edityourproject 155 •To reduce the shake: Select the Stabilization checkbox. •To reduce rolling shutter distortion: Select the Roll
Chapter 8 Edityourproject 156 1 Select a clip in the Timeline, and open the Video inspector. 2 Do any of the following: •To adjust left, ri
157AudiooverviewFinal Cut Pro has many features designed to make processing and editing audio easier. For example, you can use Final Cut Pro to an
Chapter 9 Edit audio 158AudioeditingbasicsAbout audio waveformsAudio waveforms are visual representations of the actual sound. Audio waveform
Chapter 9 Edit audio 159About audio channels and audio componentsAudio les can contain a single audio channel or multiple audio channels. Chan
Chapter 2 Final Cut Pro basics 16Play back clips and projects in the ViewerThe Viewer is where you play back your video, including clips and pr
Chapter 9 Edit audio 160Show expanded audio componentsYou can expand the audio portion of clips in Final Cut Pro to view and edit audio compone
Chapter 9 Edit audio 161Show expanded audio and videoYou can view audio and video separately in the same clip in the Timeline by expanding clip
Chapter 9 Edit audio 162Detach audio from videoBy default, Final Cut Pro imports audio and video from the same source into one clip. You can ea
Chapter 9 Edit audio 163View audio waveforms at the audio sample levelFor even more precise editing, you can zoom in to audio clips at the audi
Chapter 9 Edit audio 164View and correct audio levelsThe Audio meters let you see and track the audio levels of clips in Final Cut Pro and warn
Chapter 9 Edit audio 165Reset and correct peak levels m Select the clip in the Timeline, readjust the level, and play back the clip again to te
Chapter 9 Edit audio 166Add audioAdd music and soundYou can add music and sound les directly to your project from your iTunes library or other
Chapter 9 Edit audio 167Record live audio 1 Position the playhead where you want to start recording in the Timeline. 2 Choose Window > Rec
Chapter 9 Edit audio 168EditaudioclipsoraudiocomponentsAudio editing overviewYou edit audio in Final Cut Pro in two ways, detailed below.C
Chapter 9 Edit audio 169Congure audio channelsFinal Cut Pro assigns a default channel conguration for audio clips when they are imported or a
Chapter 2 Final Cut Pro basics 17MedialesandclipsAfter you import media into Final Cut Pro, clips representing the source media les appear
Chapter 9 Edit audio 170Note: To change the channel conguration of a compound clip, rst deselect Use Event Clip Layout from the Channels pop
Chapter 9 Edit audio 171Rename a componentDo one of the following: m In the Channel Conguration section of the Audio inspector: Click the disc
Chapter 9 Edit audio 172Adjust volumeYou can adjust the volume levels of audio clips from the Event Browser, the Timeline, the Audio inspector,
Chapter 9 Edit audio 173Adjust volume in the Audio inspector 1 Select one or more audio clips or video clips with audio in the Event Browser o
Chapter 9 Edit audio 174Fade audio in or outThere are several ways to create fade-ins or fade-outs to the audio portion of clips in Final Cut P
Chapter 9 Edit audio 175Create a crossfade manually using fade handles 1 Select two adjacent clips in the Timeline, and choose Clip > Expan
Chapter 9 Edit audio 176Change the fade shape when using fade handles m Control-click a fade handle, and choose a fade option from the shortcut
Chapter 9 Edit audio 177Pan audioPanning audio lets you distribute sound across the stereo or surround spectrum to create balance or a special
Chapter 9 Edit audio 178 3 If you want to adjust the pan amount, do one of the following: •Type a value in the Pan Amount eld. •Drag the Pan
Chapter 9 Edit audio 179 •To make advanced adjustments: Click the Advanced disclosure triangle below the Surround Panner, and drag the sliders
Chapter 2 Final Cut Pro basics 18EventsandprojectsIn Final Cut Pro X, you use events to collect and organize media. Events are like folders t
Chapter 9 Edit audio 180Multichannel audio editing examplesBelow are examples of some multichannel audio editing workows in Final Cut Pro.Exam
Chapter 9 Edit audio 181 4 Do one of the following: •To disable the portion of the component where the noise occurs: Press the V key (or press
Chapter 9 Edit audio 182Example: Trim audio within an audio component 1 Select a clip in the Timeline, and choose Clip > Expand Audio Comp
Chapter 9 Edit audio 183Example: Make a roll edit to all audio components 1 Select a clip in the Timeline, and choose Clip > Expand Audio C
Chapter 9 Edit audio 184Example: Add or remove audio components in a multicam clipWhen you create a multicam clip that contains multiple audio
Chapter 9 Edit audio 185 5 To reveal the audio components for the active angle, click the disclosure triangle next to the active angle’s sourc
Chapter 9 Edit audio 186The added audio components also appear in the multicam clip’s component arrangement in the Timeline. (To show expanded
Chapter 9 Edit audio 187AddandadjustaudioeectsAdd audio eectsIn addition to the built-in audio enhancement features of Final Cut Pro, you
Chapter 9 Edit audio 188Remove a clip eectAfter you apply an audio eect to a clip, you can remove the eect from the clip in the Audio inspec
Chapter 9 Edit audio 189 •If you made any keyframe adjustments to the source clip: Choose either Maintain Timing or Stretch to Fit from the Key
19ImportingoverviewImporting media into Final Cut Pro is the rst step toward making your movie. With Final Cut Pro, you can: •Import from a le-b
Chapter 9 Edit audio 190 3 To see an eect’s parameters, do one of the following: •Click the Controls button (to the right of the eect’s name
Chapter 9 Edit audio 191Edit and save custom presetsYou can edit preset parameters by adjusting the eect’s controls. If you want to keep your
Chapter 9 Edit audio 192Saved presets appear in the Preset pop-up menu.To return the eect to its default settings, choose Default from the Pre
Chapter 9 Edit audio 193Add keyframes to a clip 1 Do one of the following: •Select the clip in the Timeline, and choose Clip > Show Audio A
Chapter 9 Edit audio 194For eects with more than one parameter, keyframes for the selected parameter appear as white diamonds, while keyframes
Chapter 9 Edit audio 195Add keyframes automatically across a selected areaFor volume adjustments to a clip in the Timeline, you can use the Ran
Chapter 9 Edit audio 196 4 Drag across the area where you want to adjust the volume or eect. 5 Adjust the volume or eect within the range b
Chapter 9 Edit audio 197Adjust keyframes in the Audio Animation EditorYou can move keyframes left or right in the Audio Animation Editor. If an
Chapter 9 Edit audio 198Adjust all keyframes at once in the Audio Animation Editor m Hold down the Command and Option keys, and drag either a k
Chapter 9 Edit audio 199Hide audio animationDo one of the following: m Select the clip in the Timeline, and choose Clip > Hide Audio Animati
K Apple Inc.Copyright © 2013 Apple Inc. All rights reserved.Your rights to the software are governed by the accompanying software license agreement.
Chapter 3 Importmedia 20Ifit’syourrstimportThe rst time you open Final Cut Pro, it contains no media, no projects, and a single event. B
Chapter 9 Edit audio 200Automatically enhance audioYou can automatically enhance audio to analyze for and correct loudness, background noise, a
Chapter 9 Edit audio 201 3 To turn on an enhancement, click its icon or select its checkbox (when the enhancement is turned on, its checkbox i
Chapter 9 Edit audio 202Sync audio and video automaticallyFinal Cut Pro can automatically analyze and sync the audio and video clips in your pr
Chapter 9 Edit audio 203Match audio equalization settingsThe Match Audio function uses equalization (EQ) to let you match a selected clip’s sou
204Transitions,titles,eects,andgeneratorsoverviewYou can easily add special eects to video, audio, and photos in your projects. Final Cut Pr
Chapter 10 Addtransitions,titles,eects,andgenerators 205AddandadjusttransitionsTransitions overviewYou can add cross dissolves and oth
Chapter 10 Addtransitions,titles,eects,andgenerators 206The illustration below shows how transitions are created when the clips on either
Chapter 10 Addtransitions,titles,eects,andgenerators 207Add transitions to your projectThere are several methods you can use to add trans
Chapter 10 Addtransitions,titles,eects,andgenerators 208Add or change a transition using the Transitions Browser 1 Click the Transitions
Chapter 10 Addtransitions,titles,eects,andgenerators 209Copy a transition to other edit points using the Edit menu 1 Select a transition
Chapter 3 Importmedia 21 •Remove the memory card from your camcorder or device and insert it into the card slot on your Mac (if it has one) or
Chapter 10 Addtransitions,titles,eects,andgenerators 210Move the transitionMoving a transition actually rolls the edit under the transiti
Chapter 10 Addtransitions,titles,eects,andgenerators 211Dragging the trim icon in the upper left adjusts the right clip’s start point, an
Chapter 10 Addtransitions,titles,eects,andgenerators 212Adjust transitions with multiple imagesSeveral transitions include areas that are
Chapter 10 Addtransitions,titles,eects,andgenerators 213Create specialized versions of transitions in MotionMany of the transitions were
Chapter 10 Addtransitions,titles,eects,andgenerators 214 3 Do any of the following: •To add a title from the Titles Browser: Double-clic
Chapter 10 Addtransitions,titles,eects,andgenerators 215 4 To select a dierent text object, do one of the following: •Click the Previou
Chapter 10 Addtransitions,titles,eects,andgenerators 216Adjust a title’s opacityIf you’re placing a title over an existing clip, you can
Chapter 10 Addtransitions,titles,eects,andgenerators 217Modify a title’s text styleYou can modify the text style for a title. 1 Double-c
Chapter 10 Addtransitions,titles,eects,andgenerators 218A ruler appears above the paragraph text object in the Viewer. Tabs in the ruler
Chapter 10 Addtransitions,titles,eects,andgenerators 219 4 To choose where to search, do one of the following: •To search for text in th
Chapter 3 Importmedia 22 •To sort clips in list view by data such as duration, creation date, rating, keyword, and so on: Click the column hea
Chapter 10 Addtransitions,titles,eects,andgenerators 220Resize, move, and rotate clipsThe Transform built-in eect allows you to resize,
Chapter 10 Addtransitions,titles,eects,andgenerators 221 4 Use the Transform controls in the Video inspector as follows: •Position X and
Chapter 10 Addtransitions,titles,eects,andgenerators 222 4 To adjust the eect using the onscreen controls: •Blue handles at each corner
Chapter 10 Addtransitions,titles,eects,andgenerators 223 4 To adjust the eect using the onscreen controls: •Blue handles at each corner
Chapter 10 Addtransitions,titles,eects,andgenerators 224Pan and zoom clips with the Ken Burns eectThe Ken Burns eect creates a pan and
Chapter 10 Addtransitions,titles,eects,andgenerators 225Tip: Use the Crop eect and intermediate keyframes to create a Ken Burns-style e
Chapter 10 Addtransitions,titles,eects,andgenerators 226 4 To individually adjust each corner using the Video inspector, use the Distort
Chapter 10 Addtransitions,titles,eects,andgenerators 227 •To turn o the eect in the Video Animation Editor: Open the Video Animation Ed
Chapter 10 Addtransitions,titles,eects,andgenerators 228 6 Move the playhead to the end of the clip. 7 Adjust the eect’s controls to s
Chapter 10 Addtransitions,titles,eects,andgenerators 229 1 Select a clip in the Timeline and put the playhead at its start. 2 Choose Tr
Chapter 3 Importmedia 23Reimport a clipTwo situations warrant reimporting a clip: •If the clip was not completely imported: If you cancel or q
Chapter 10 Addtransitions,titles,eects,andgenerators 230Composite eects over a backgroundOften, Transform, Trim, and Distort eects resu
Chapter 10 Addtransitions,titles,eects,andgenerators 231AddandadjustclipeectsClip eects overviewIn addition to the built-in eects,
Chapter 10 Addtransitions,titles,eects,andgenerators 232Adjust eects in Final Cut ProMost eects have one or more parameters that you ca
Chapter 10 Addtransitions,titles,eects,andgenerators 233The eect appears as one of the animations in the Video Animation Editor above th
Chapter 10 Addtransitions,titles,eects,andgenerators 234Show the audio eects applied to a clip 1 Select the clip with the audio eect i
Chapter 10 Addtransitions,titles,eects,andgenerators 235Change video and audio clip eect order using the Video Animation or Audio Anima
Chapter 10 Addtransitions,titles,eects,andgenerators 236 3 Do either of the following: •To apply all video or all audio attributes from
Chapter 10 Addtransitions,titles,eects,andgenerators 237Remove an eect from a clip 1 Select the clip with the eect in the Timeline. 2
Chapter 10 Addtransitions,titles,eects,andgenerators 238 •Shape clip: You can choose from a wide variety of shapes for adding graphical e
Chapter 10 Addtransitions,titles,eects,andgenerators 239Use a timecode counterWhen sending your project for review, it can be useful to s
Chapter 3 Importmedia 24Import spanned clipsSome le-based camcorders or devices that have more than one memory card slot can record one shot
Chapter 10 Addtransitions,titles,eects,andgenerators 240 5 To change the shape’s size, position, and rotation, use the Transform or Dist
Chapter 10 Addtransitions,titles,eects,andgenerators 241Create specialized versions of the generators in MotionMany of the generators wer
Chapter 10 Addtransitions,titles,eects,andgenerators 242Use onscreen controlsOnscreen controls overviewMany eects, transitions, and othe
Chapter 10 Addtransitions,titles,eects,andgenerators 243Onscreen control examplesFollowing are a few examples of the onscreen controls yo
Chapter 10 Addtransitions,titles,eects,andgenerators 244Example: Use onscreen controls to apply a Droplet eect 1 Open the Eects Browse
Chapter 10 Addtransitions,titles,eects,andgenerators 245Example: Use onscreen controls to apply a Scrape eect 1 Open the Eects Browser
Chapter 10 Addtransitions,titles,eects,andgenerators 246Example: Use onscreen controls to apply a Star transition 1 Open the Transitions
Chapter 10 Addtransitions,titles,eects,andgenerators 247Use the Video Animation EditorVideo animation overviewWith Final Cut Pro, you can
Chapter 10 Addtransitions,titles,eects,andgenerators 248Add keyframes 1 Do one of the following: •Select a clip in the Timeline, and cho
Chapter 10 Addtransitions,titles,eects,andgenerators 249When you choose to view all parameters in the Video Animation Editor, keyframes a
Chapter 3 Importmedia 25 3 Select each camera archive that makes up the spanned clip.Final Cut Pro mounts all of the camera archives. If all
Chapter 10 Addtransitions,titles,eects,andgenerators 250 3 In the Timeline, choose either Select or Range Selection from the Tools pop-u
Chapter 10 Addtransitions,titles,eects,andgenerators 251Adjust keyframes in the Video Animation EditorYou can move keyframes left or righ
Chapter 10 Addtransitions,titles,eects,andgenerators 252Tip: To adjust values with greater precision, hold down the Command key while dr
Chapter 10 Addtransitions,titles,eects,andgenerators 253View only one eect at a time in the Video Animation EditorYou can collapse the V
Chapter 10 Addtransitions,titles,eects,andgenerators 254 2 Drag the fade handle to the point in the clip where you want the fade to begi
Chapter 10 Addtransitions,titles,eects,andgenerators 255Tip: To adjust values with greater precision, hold down the Command key while dr
Chapter 10 Addtransitions,titles,eects,andgenerators 256Adjust all keyframes on a curve m Hold down the Command and Option keys, and drag
257GroupclipswithcompoundclipsCompound clips overviewWith Final Cut Pro, you can create compound clips, which allow you to group any combinatio
Chapter 11 Advancedediting 258The following diagram shows how a project in the Timeline could be simplied using compound clips:Selected clip
Chapter 11 Advancedediting 259Create and break apart compound clipsYou can create a compound clip from existing clips in the Timeline or the E
Chapter 3 Importmedia 26 5 Choose how you want to organize the imported media in the Event Library: •To add the imported media to an existing
Chapter 11 Advancedediting 260The way clips are grouped within the compound clip depends on where you selected the clips: •If you selected cli
Chapter 11 Advancedediting 261 •If you selected clips in the Timeline: Final Cut Pro places the selected clips in the new compound clip exactl
Chapter 11 Advancedediting 262Create an empty compound clipYou can create new, empty compound clips and then add clips to them. Each compound
Chapter 11 Advancedediting 263Manage compound clipsThere are many ways to manage and edit compound clips. For example, you can open up compoun
Chapter 11 Advancedediting 264Navigate compound clip levels using menu commands and keyboard shortcutsYou can navigate up or down one or more
Chapter 11 Advancedediting 265To have the new clip material appear in your project, do one of the following to make room for the new material:
Chapter 11 Advancedediting 266You edit storylines using the same methods you use to edit the primary storyline. You can: •Add clips: Drag cli
Chapter 11 Advancedediting 267You can also create a storyline by holding down the G key as you drag a clip to a connected clip so that their e
Chapter 11 Advancedediting 268Fine-tune edits with the Precision EditorYou can ne-tune the edit point between two clips in the Timeline using
Chapter 11 Advancedediting 269 2 To adjust the edit point, do any of the following: •Move the edit line in the center of the Precision Editor
Chapter 3 Importmedia 27 •To switch between lmstrip view and list view: Click the List View and Filmstrip View buttons at the bottom of the
Chapter 11 Advancedediting 270 •Skim over and click the outgoing clip or the incoming clip at any point. Click either clip at any point.The cl
Chapter 11 Advancedediting 271CreatespliteditsFinal Cut Pro allows you to set separate video and audio start and end points in an individual
Chapter 11 Advancedediting 272 3 Drag the start point (left edge) of the video portion of the clip to the right, eectively trimming it with
Chapter 11 Advancedediting 273 5 If you want to turn o the separate audio view to “clean up” the aected clips, do one of the following: •C
Chapter 11 Advancedediting 274 3 Move the playhead to the edit point between the two clips. Playhead at edit pointTo ensure accurate playhead
Chapter 11 Advancedediting 275The timecode entry eld (with blue numbers) appears in the Dashboard in the toolbar as you type. For more inform
Chapter 11 Advancedediting 276Basic three-point editing has three stages:Stage 1: Set source selection edit points in the Event BrowserSpecify
Chapter 11 Advancedediting 277Three-point edit examplesIn Final Cut Pro, you can make precise edits using a combination of three (or sometimes
Chapter 11 Advancedediting 278Example: Make a backtimed three-point editYou can make a three-point edit by dening source selection start and
Chapter 11 Advancedediting 279Example: Make a three-point edit with multiple clipsYou can make three-point edits with multiple clips at a time
Chapter 3 Importmedia 28 5 In the window that appears, choose how you want to organize the imported media in the Event Library: •To add the
Chapter 11 Advancedediting 280You can also make a three-point edit involving multiple clips in the Timeline. To select a range across multiple
Chapter 11 Advancedediting 281TryoutclipsusingauditionsAuditions overviewIn Final Cut Pro you can organize related clips into sets, called
Chapter 11 Advancedediting 282Create auditions to try out clipsYou can create auditions in the Event Browser and then add them to the Timeline
Chapter 11 Advancedediting 283An audition is created containing the selected clip and a duplicate version with eects and attributes copied fr
Chapter 11 Advancedediting 284Add new clips to an audition in the Timeline m To add a new clip to an audition and maintain the current clip in
Chapter 11 Advancedediting 285Review clips within an audition in the Timeline 1 In the Timeline, select the audition containing the clips you
Chapter 11 Advancedediting 286 4 When you decide on the clip you want to use, make sure it’s selected under the spotlight, and click Done. 5
Chapter 11 Advancedediting 287 9 Review each eect’s impact on the clip in the Timeline by selecting a clip to the right or left of the pick.
Chapter 11 Advancedediting 288Change clip speedIn Final Cut Pro you can make both constant and variable speed changes to your clips while pres
Chapter 11 Advancedediting 289 1 In the Timeline, select a range, a whole clip, or a group of clips whose speed you want to change. 2 Do one
Chapter 3 Importmedia 29Import from tape-based camerasYou can import media from a tape-based camcorder or tape-based device. To determine whic
Chapter 11 Advancedediting 290Apply a variable speed changeTo alter the speed of a clip over time, in forward or reverse motion, you can apply
Chapter 11 Advancedediting 291Change the end frame of a speed segmentYou can change the end frame of a speed segment in the Timeline.When you
Chapter 11 Advancedediting 292Smooth out a slow-motion clip with video quality presetsTo smooth out the apparent motion of a clip playing back
Chapter 11 Advancedediting 293 3 If you want to adjust the speed of the reversed clip, drag the retiming handle to the left to increase the s
Chapter 11 Advancedediting 294Create instant replaysYou can apply an instant replay to a range selection within a clip or a whole clip. Final
Chapter 11 Advancedediting 295Create a still-image hold segment 1 In the Timeline, do one of the following: •Select the clip with the frame
Chapter 11 Advancedediting 296Conform frame sizes and frame ratesFinal Cut Pro manages project settings automatically. This means you can work
Chapter 11 Advancedediting 297 4 Choose a method of conforming frame size from the Type pop-up menu in the Spatial Conform section of the Vid
Chapter 11 Advancedediting 298 •Floor: The default setting. Final Cut Pro truncates down to the nearest integer during its calculation to matc
Chapter 11 Advancedediting 299Adjust anamorphic footageSome video camcorders and recording devices shoot at a widescreen 16:9 aspect ratio but
Contents10 Chapter 1: What’s new in Final Cut Pro?10 What’s new in Final Cut Pro 10.0.6?11 What’s new in Final Cut Pro 10.0.3?12 What’s new in F
Chapter 3 Importmedia 30 6 In the window that appears, choose how you want to organize the imported media in the Event Library: •To add the
Chapter 11 Advancedediting 300View and reassign rolesYou can view and change the roles that are assigned to clips in the Event Browser, the Ti
Chapter 11 Advancedediting 301 3 In the Info inspector, click the Roles pop-up menu to see the available roles. 4 To change the role assignm
Chapter 11 Advancedediting 302View and reassign roles with the Modify menu 1 Select one or more clips in the Event Browser or the Timeline. 2
Chapter 11 Advancedediting 303When you assign a role to a compound clip (the container), the role is assigned to every clip inside the compoun
Chapter 11 Advancedediting 304 3 Type a name for the new role.Once you have created a new role, it appears in the roles list so that you can
Chapter 11 Advancedediting 305 3 Type a name for the subrole.The new subrole remains in the Subrole list and appears below its parent role in
Chapter 11 Advancedediting 306Active roles appear in color in the Timeline, and inactive roles appear gray. If you turn o all video or all au
Chapter 11 Advancedediting 307Minimize clips by roleTo make more space to view and work with clips in the Timeline, you can minimize clips wit
Chapter 11 Advancedediting 308Import XML into Final Cut ProYou can generate XML les with other applications and then import them into Final C
Chapter 11 Advancedediting 309Multicam clips have the following characteristics: •You create multicam clips in the Event Browser only, from ex
Chapter 3 Importmedia 31 •Your camcorder must be set to the correct output mode. On some camcorders, this is called VTR or VCR mode, but not a
Chapter 11 Advancedediting 310Assign camera names and multicam anglesYou can use the Camera Name and Camera Angle metadata tags to automate an
Chapter 11 Advancedediting 311Name your cameraThe following instructions cover how to add the Camera Name property when you import media from
Chapter 11 Advancedediting 312Create multicam clips in the Event BrowserCreating multicam clips is similar to creating auditions and compound
Chapter 11 Advancedediting 313 6 Click OK.Final Cut Pro creates a new multicam clip in the event and places duplicates of the selected clips
Chapter 11 Advancedediting 314 6 In the Angle Clip Ordering pop-up menu, choose how angles are ordered within the multicam clip: •Automatic:
Chapter 11 Advancedediting 315 •Start of First Clip: Final Cut Pro uses the rst frame in each angle as the sync point. Sync pointTip: The St
Chapter 11 Advancedediting 316 12 Click OK.Final Cut Pro creates a new multicam clip in the event and places duplicates of the selected clips
Chapter 11 Advancedediting 317 2 Use the skimmer or the playhead to play back a multicam clip in the Event Browser or the Timeline.The Angle
Chapter 11 Advancedediting 318 4 In the Angle Viewer, move the pointer over the angle that you want to switch to.As you move the pointer ove
Chapter 11 Advancedediting 319Switch video or audio separatelyBy default, Final Cut Pro switches the video and audio of a multicam clip at the
Chapter 3 Importmedia 32Import from iMovieYou can import any of your existing iMovie projects and your iMovie Event Library into Final Cut Pro
Chapter 11 Advancedediting 320If you selected the video-only or audio-only switch mode, blue highlighting indicates the active video angle and
Chapter 11 Advancedediting 321 3 In the Settings pop-up menu (in the upper-right corner of the Angle Viewer), choose the number of angles you
Chapter 11 Advancedediting 322Show overlays in the Angle ViewerFor each angle that appears in the Angle Viewer, you can display video overlays
Chapter 11 Advancedediting 323 m To adjust the size of the Angle Viewer and the main Viewer: Drag the boundary between them.Drag the boundary
Chapter 11 Advancedediting 324Sync and adjust angles and clips in the Angle EditorAt any time, you can open multicam clips in the Angle Editor
Chapter 11 Advancedediting 325Set video and audio monitoring in the Angle EditorIn the Angle Editor, you can set any one angle to be the monit
Chapter 11 Advancedediting 326 3 To turn on audio monitoring for an angle, do one of the following: •Click the Audio Monitor icon once. (To t
Chapter 11 Advancedediting 327 4 Drag the clips left or right in the rows of the Angle Editor so that the sync points align vertically.Sync p
Chapter 11 Advancedediting 328You can then drag the clips left or right to move them all by the same amount.When all clips in the angle are se
Chapter 11 Advancedediting 329Adjust the order of angles in a multicam clipYou can adjust the order in which angles appear in the Angle Viewer
Chapter 3 Importmedia 33 2 If necessary, navigate to the iPhoto or Aperture section of the Photos Browser. 3 To use one or more photos or vi
Chapter 11 Advancedediting 330Edit multicam clips in the Timeline and the InspectorYou can switch multicam clip angles directly in the Timelin
Chapter 11 Advancedediting 331In the case of video-only or audio-only cuts and switches, the edit point can be mixed (with both black and whit
Chapter 11 Advancedediting 332Switch angles in the InspectorSwitching angles in the Inspector allows you to switch angles for multiple selecte
Chapter 11 Advancedediting 333 •If performance becomes an issue while you’re working on a multicam project, do any of the following: •Set Fi
334KeyingKeying overviewThere are times when you need to combine two clips to create an image with bits of both. A common way to combine two clips
Chapter 12 Keyingandcompositing 335For the following examples, this woman will be keyed over a street scene. The light stands will be handled
Chapter 12 Keyingandcompositing 336 5 Do one of the following: •Drag the eect to the Timeline foreground clip to which you want to apply it
Chapter 12 Keyingandcompositing 337To improve the key, you can drag the rectangle to adjust its position or drag its corners to change its si
Chapter 12 Keyingandcompositing 338 4 To help ne-tune the key, use the View options:Original (unprocessed foreground)Matte (foreground-base
Chapter 12 Keyingandcompositing 339Make advanced chroma key adjustmentsThe following controls are available for use in dicult keying situati
Chapter 3 Importmedia 34ImportfromdevicesImport from a hard diskYou can import media—video, audio, still images, and graphics les—from your
Chapter 12 Keyingandcompositing 340 •Manual: Select to use the Chroma and Luma controls to adjust the softness (edge transparency) and tolera
Chapter 12 Keyingandcompositing 341 •Luma Rollo: Use this slider to adjust the linearity of the luma rollo slope (the ends of the bell-shap
Chapter 12 Keyingandcompositing 342 •Spill Contrast: Use this grayscale gradient to adjust the contrast of the color being suppressed, using
Chapter 12 Keyingandcompositing 343Animate the chroma key eectTo compensate for changing conditions in the foreground clip, you can make Sam
Chapter 12 Keyingandcompositing 344Apply the luma key eect 1 In the Timeline, move the playhead to the point in the background clip (the cl
Chapter 12 Keyingandcompositing 345Adjust the luma key eectThe following steps assume you have applied the Luma Keyer eect. 1 In the Timel
Chapter 12 Keyingandcompositing 346 7 To leave smoothly aliased text or graphics in the image visually intact, which can improve the edges,
Chapter 12 Keyingandcompositing 347 •Fill Holes: Increasing this parameter value adds solidity to regions of marginal transparency within a k
Chapter 12 Keyingandcompositing 348 •Screen: Superimposes lighter portions of the background layer over wrapped areas of the keyed foreground
Chapter 12 Keyingandcompositing 349 3 Select the foreground clip.In the above example, the light stands need to be removed. 4 Click the Ee
Chapter 3 Importmedia 35Tip: Command-click to select multiple les or folders to import.Add favorite import folders.Navigate to the files and
Chapter 12 Keyingandcompositing 350 6 Adjust the four corners of the mask to crop out the objects you want to remove, in this case, the ligh
Chapter 12 Keyingandcompositing 351Use Transform to position the foreground imageThe following steps assume you have already congured a key
Chapter 12 Keyingandcompositing 352 •Alpha channels: Many computer-generated video clips have an alpha channel—a built-in mask—that denes pr
Chapter 12 Keyingandcompositing 353This is what the nal composite looks like over a background clip.Use a clip with an alpha channel 1 Posi
Chapter 12 Keyingandcompositing 354Use Compositing settingsThe Compositing settings provide a wide variety of options for combining two image
355ColorcorrectionoverviewIn any post-production workow, color correction is generally one of the last steps in nishing an edited program. Ther
Chapter 13 Color correction 356Analyze and balance color automaticallyColor balance overviewFinal Cut Pro includes an automatic color-balancing
Chapter 13 Color correction 357Analyze color balance for clips dragged to the Timeline from the Finder 1 Choose Final Cut Pro > Preferences
Chapter 13 Color correction 358MatchcolorbetweenclipsautomaticallyYour project likely uses video from a wide variety of sources. The Match
Chapter 13 Color correction 359Turn match color corrections on or oYou can turn o the color match corrections that have been applied to a cli
Chapter 3 Importmedia 36 9 If you want to organize your media, create optimized or proxy media, analyze the video, or analyze the audio, sele
Chapter 13 Color correction 360 •Click the upper-left corner of a clip in the Timeline and choose Color Adjustment from the pop-up menu.Click t
Chapter 13 Color correction 361 5 To adjust the clip’s luma level, click Exposure (or press Command-Control-E), and drag the controls in the E
Chapter 13 Color correction 362Add a color mask to a color correction 1 In the Timeline, select a clip with a color that you want to mute or e
Chapter 13 Color correction 363 6 To adjust the color correction settings for this color mask, click the Color Board button in the Video ins
Chapter 13 Color correction 364 3 To adjust the default shape that appears in the Viewer, do any of the following:Drag this handle to make the
Chapter 13 Color correction 365Delete a shape mask 1 In the Video inspector, select the Shape Mask item you want to delete.Select a Shape Mask
Chapter 13 Color correction 366 5 Move the playhead to the next point in the clip where you want to dene the shape mask’s position, repositio
Chapter 13 Color correction 367Apply multiple color correctionsYou can apply multiple color corrections to a clip to target specic issues. For
Chapter 13 Color correction 368Add a transition between color correctionsYou can have a video clip change from one color correction to another
Chapter 13 Color correction 369TurniMovieadjustmentsonoroWhen editing a project in iMovie, you can adjust several video attributes, such
Chapter 3 Importmedia 37Import media from an archive or disk image 1 To open the Media Import window, do one of the following: •Choose File &
Chapter 13 Color correction 370MeasurevideolevelsVideo scopes overviewBroadcast facilities have limits on the maximum values of luma and chro
Chapter 13 Color correction 371 2 Choose the scope to display from the top section of the Settings pop-up menu.Choose the scope you want to us
Chapter 13 Color correction 372The Settings pop-up menu in the upper-right corner of the Waveform Monitor provides a variety of display options
Chapter 13 Color correction 373 •Chroma: Shows only the chroma component of the video, and is tinted to match the video’s colors. •Y'CbCr
Chapter 13 Color correction 374Vectorscope display optionsThe Vectorscope shows the distribution of color in your image on a circular scale. Th
Chapter 13 Color correction 375Histogram display optionsThe Histogram provides a statistical analysis of the image by calculating the total num
Chapter 13 Color correction 376 •RGB Overlay: Combines waveforms for the red, green, and blue color components in one display. If the image bei
377SharingprojectsoverviewFinal Cut Pro provides a variety of destinations, or precongured export settings, that you can use to output your proj
Chapter 14 Shareyourproject 378You can easily replace the default set of destinations with your own customized destinations. You modify exist
Chapter 14 Shareyourproject 379 3 In the Share window that appears, do any of the following:Move the pointer over the image to skim the vide
Chapter 3 Importmedia 38 •Import folders as Keyword Collections: If you have folders of les that have meaningful folder names, selecting this
Chapter 14 Shareyourproject 380 4 To view the destination’s settings, click Settings. The settings for the destination are displayed in the
Chapter 14 Shareyourproject 381 •Include chapter markers: Select the checkbox to include chapter markers with the exported le (or les). •Op
Chapter 14 Shareyourproject 382 6 Click Next, enter a name for the le, choose a location to save it, and click Save.You can monitor the pro
Chapter 14 Shareyourproject 383Modify share attributesShare attributes are project and clip metadata that is included with exported les. You
Chapter 14 Shareyourproject 384 4 Type new text in an attribute eld.If you type a word or phrase that has been dened as an attribute, the
Chapter 14 Shareyourproject 385 3 Using the Attributes pop-up menu, do any of the following: •To add an attribute eld: Choose the eld name
Chapter 14 Shareyourproject 386 3 To edit the selected attribute eld, do any of the following: •To add an attribute: Drag an attribute (a w
Chapter 14 Shareyourproject 387StatusofsharedprojectsShared project status overviewWhen you publish or share your project using any of the
Chapter 14 Shareyourproject 388Visit, announce, and view the location of shared projectsYou can use options in the Sharing inspector to open
Chapter 14 Shareyourproject 389Remove shared projectsYou may nd that you need to remove a shared project from its website or other nal dest
Chapter 3 Importmedia 39ImportwhilerecordingYou can record video directly into Final Cut Pro using your computer’s built-in camera or an ext
390MediamanagementoverviewIn general, any task that relates to processing your media is considered to be media management. Media management inclu
Chapter 15 Managemediales 391When you create a new event on your local system, a folder is created for the event:/Users/username/Movies/Fina
Chapter 15 Managemediales 392 •Old Versions: If you update existing projects to open them with a newer version of the application, Final Cut
Chapter 15 Managemediales 393Relink clips to media lesIn Final Cut Pro, clips represent your media, but they are not the media les themsel
Chapter 15 Managemediales 394 3 If you want to show all items in the selection, select All. 4 Do one of the following: •To locate all the
Chapter 15 Managemediales 395Note: Final Cut Pro identies matches based on proximity in the directory structure and related lenames. For
Chapter 15 Managemediales 396 3 If you want to show all items in the selection, select All. 4 Do one of the following: •To locate all the
Chapter 15 Managemediales 397Note: Final Cut Pro identies matches based on proximity in the directory structure and related lenames. For
Chapter 15 Managemediales 398 •Create proxy media: This option creates video and still-image proxy les. Video is transcoded to the Apple Pr
Chapter 15 Managemediales 399Transcode clips after import 1 Control-click one or more clips in the Event Browser and choose Transcode Media
51 Chapter 5: Organize your media51 Events and clips overview52 Organize events52 Create a new event52 Rename an event53 Merge or split events5
Chapter 3 Importmedia 40 6 When you’re ready to begin recording, click Import.The camera begins recording immediately. 7 When you want to st
Chapter 15 Managemediales 400You can create a proxy le for a clip by doing the following: 1 Select a clip in the Event Browser. 2 To open
Chapter 15 Managemediales 401View tasks that are running in the background 1 Do one of the following: •Choose Window > Background Tasks
Chapter 15 Managemediales 402ManageyoureventsandprojectlesBefore you move or copy events and projectsIf you want to edit a project on
Chapter 15 Managemediales 403 •New Event Name eld: If you select Copy Used Clips Only, you can create a new event to hold the consolidated
Chapter 15 Managemediales 404 •Duplicate Project and Referenced Events: Duplicates the project and any events referred to by the project. Se
Chapter 15 Managemediales 405 6 Click OK.Final Cut Pro duplicates the project using the option you specied. The project is given an increm
Chapter 15 Managemediales 406Edit your project on a dierent computerIf you nd yourself in a situation where you need to work on your proje
Chapter 15 Managemediales 407 6 Quit Final Cut Pro, and disconnect the storage device from your computer.WARNING: Do not disconnect a devi
Chapter 15 Managemediales 408 5 In the window that appears, do the following: a Choose your external storage device from the Location pop-
Chapter 15 Managemediales 409 10 In the window that appears, do the following: a Choose the new computer from the Location pop-up menu. b
Chapter 3 Importmedia 41 •FireWire device: For most camcorders that record to tape, you use a FireWire cable with a 6-pin connector on one end
Chapter 15 Managemediales 410Use SAN locations for events and projectsYou can store your events and projects on a storage area network (SAN)
Chapter 15 Managemediales 411CreateandmanagecameraarchivesYou can make a camera archive (backup copy) of the contents of your camera or
Chapter 15 Managemediales 412 4 In the Media Import window that appears, select the device whose content you want to archive from the list
Chapter 15 Managemediales 413 3 In Final Cut Pro, do one of the following: •Choose File > Import > Media (or press Command-I). •Click
Chapter 15 Managemediales 414Move or copy a camera archive 1 In the Finder, select the camera archive that you want to move or copy. 2 Do
Chapter 15 Managemediales 415Icon Alert DescriptionFinal Cut Pro events and clipsMissing event The Event folder is not available.You may see
Chapter 15 Managemediales 416Common media management issuesThis section describes common media management issues and solutions. If you don’t
417PreferencesandmetadataoverviewIn Final Cut Pro, you can modify preference settings to specify how your source media is imported into the appl
Chapter 16 Preferences and metadata 418Editing preferencesEditing preferences aect editing behaviors in Final Cut Pro.Time Display •Time Displ
Chapter 16 Preferences and metadata 419Still Images •Editing duration is x seconds: Use this value slider to set the default editing duration o
Chapter 3 Importmedia 42 •MPEG IMX (D-10) •REDCODE RAW (R3D) •Uncompressed 10-bit 4:2:2 •Uncompressed 8-bit 4:2:2 •XAVC •XDCAM HD/EX/HD422 •Qu
Chapter 16 Preferences and metadata 420 •Warn when dropping frames during playback: Select this checkbox to have Final Cut Pro warn you when fr
Chapter 16 Preferences and metadata 421 •Import folders as Keyword Collections: Creates a Keyword Collection for each folder in the les you’re
Chapter 16 Preferences and metadata 422Destinations preferencesYou modify share destinations in the Destinations pane of the Final Cut Pro Pref
Chapter 16 Preferences and metadata 423 •Layers: Displays the available layers on the destination media. •Automatic: Automatically detects the
Chapter 16 Preferences and metadata 424The web destinations include the following settings: •Sign In: The rst time you open a new web destinat
Chapter 16 Preferences and metadata 425The Export File destination includes the following settings: •Format: Lists mastering formats (Video and
Chapter 16 Preferences and metadata 426Compressor SettingsUse this destination to export a project or clip using settings from Compressor, the
Chapter 16 Preferences and metadata 427Work with destinationsYou modify share destinations using the Destinations pane of the Final Cut Pro Pre
Chapter 16 Preferences and metadata 428Create a new destination 1 Do one of the following: •Choose File > Share > Add Destination. •Choo
Chapter 16 Preferences and metadata 429 3 Choose the settings you want for the new destination. Modify the settings for the new destination.Ne
Chapter 3 Importmedia 43ImportandadjustREDCODERAWvideolesYou can import and work with REDCODE RAW (R3D) les in Final Cut Pro.RAW forma
Chapter 16 Preferences and metadata 430Modify existing destinationsNote: You can also modify an existing destination’s settings while you’re s
Chapter 16 Preferences and metadata 431Create a bundle of destinationsBundles make it easy to create several types of output in a single step.
Chapter 16 Preferences and metadata 432Work with metadataDisplay and change clip metadataInformation about your source media les, information
Chapter 16 Preferences and metadata 433Switch metadata views in the Info inspectorYou can change the metadata elds shown in the Info inspector
Chapter 16 Preferences and metadata 434 7 To add a property to the metadata view, select the checkbox to the left of the property.Click a chec
Chapter 16 Preferences and metadata 435Duplicate a metadata viewIf you want to create a new metadata view that contains most of the metadata e
Chapter 16 Preferences and metadata 436Create a new naming presetIn most cases, you’ll want to create a new naming preset and customize it.Tip:
Chapter 16 Preferences and metadata 437 4 In the Naming Presets window, add name tokens by dragging the elements from the Clip Info, Date/Time
438KeyboardshortcutsandMulti-TouchgesturesoverviewFinal Cut Pro provides several ways to increase your eciency while you put together your p
Chapter 17 Keyboardshortcutsandgestures 439EditingCommand Shortcut ActionAppend to Storyline E Add the selection to the end of the storylin
Chapter 3 Importmedia 44Adjust RED RAW settingsYou can adjust REDCODE RAW (R3D) les using the RED RAW Settings window.Metadata about REDCODE
Chapter 17 Keyboardshortcutsandgestures 440Command Shortcut ActionCut and Switch to Viewer Angle 6 6 Cut and switch the multicam clip to ang
Chapter 17 Keyboardshortcutsandgestures 441Command Shortcut ActionLower Volume 1 dB Control-Hyphen (-) Lower the audio volume by 1 dBMove P
Chapter 17 Keyboardshortcutsandgestures 442Command Shortcut ActionPrevious Audio Angle Shift-Option-Left Arrow Switch to the previous audio
Chapter 17 Keyboardshortcutsandgestures 443Command Shortcut ActionSet Additional Selection Start Command-Shift-I Set an additional range sel
Chapter 17 Keyboardshortcutsandgestures 444EectsCommand Shortcut ActionAdd Basic Lower Third Shift-Control-T Connect a basic lower-third ti
Chapter 17 Keyboardshortcutsandgestures 445GeneralCommand Shortcut ActionDelete Delete Delete the Timeline selection, reject the Event Brows
Chapter 17 Keyboardshortcutsandgestures 446Command Shortcut ActionDeselect All Command-Shift-A Deselect all selected itemsFavorite F Rate th
Chapter 17 Keyboardshortcutsandgestures 447Playback/NavigationCommand Shortcut ActionAudio Skimming Shift-S Turn audio skimming on or oAud
Chapter 17 Keyboardshortcutsandgestures 448Command Shortcut ActionGo to Range Start Shift-I Move the playhead to the beginning of the range
Chapter 17 Keyboardshortcutsandgestures 449Command Shortcut ActionSet Monitoring Angle Shift-V Set the angle being skimmed as the monitoring
45AnalyzingmediaoverviewYou can have Final Cut Pro analyze your media and automatically correct common problems it may nd in your video, still i
Chapter 17 Keyboardshortcutsandgestures 450ViewCommand Shortcut ActionClip Appearance: Clip Labels Only Option-Control-6 Depending on the cl
Chapter 17 Keyboardshortcutsandgestures 451Command Shortcut ActionZoom Out Command-Hyphen (-) Zoom out of the Timeline, Event Browser, or Vi
Chapter 17 Keyboardshortcutsandgestures 452Multi-TouchgesturesIf your computer has a Multi-Touch trackpad, you can use the Multi-Touch gest
Chapter 17 Keyboardshortcutsandgestures 453 2 To nd keyboard shortcuts in the Command Editor, do any of the following: •Click one or more
Chapter 17 Keyboardshortcutsandgestures 454Click any command in the list to view its details in the Command Detail area in the bottom-right
Chapter 17 Keyboardshortcutsandgestures 455View shortcuts from a dierent command setIf your system has multiple command sets, you can easil
Chapter 17 Keyboardshortcutsandgestures 456 4 Press the combination of keys you want to use for the command (for example, Shift-Option-T, o
Chapter 17 Keyboardshortcutsandgestures 457Import a command set 1 Do one of the following: •Choose Final Cut Pro > Commands > Import.
4584:3 The aspect ratio for standard-denition (SD) broadcast video. The ratio of the width to the height of the visible area of the video frame i
Glossary 459Apple ProRes 4444 This Apple ProRes codec oers the best quality for 4:4:4:4 sources and for workows involving alpha channels. It feat
Chapter 4 Analyze media 46 •Analyze for balance color: Analyzes video clips to detect color balance and contrast. Color is automatically balanc
Glossary 460audition In Final Cut Pro you can organize related clips into sets, called auditions, from which you can choose one clip to use. You ca
Glossary 461chroma key A special eects technique that allows you to derive an alpha channel or matte from the blue or green background of a video
Glossary 462compound clip You can use compound clips to group any combination of clips in the Timeline or the Event Browser, and nest clips within
Glossary 463destination A set of precongured export settings that you can use to share a project or clip from Final Cut Pro. Destinations make it
Glossary 464edit point Edit points dene the part of a clip you want to use in an edited project. Edit points include start points, which specify t
Glossary 465Foley eects Foley eects are custom sound eects that are heavily synchronized to picture, such as footsteps on dierent surfaces, clo
Glossary 466HDV A format for recording high-denition video on DV tape. HDV uses MPEG-2 video compression with 8-bit samples and 4:2:0 chroma subsa
Glossary 467JPEG A popular image le format that lets you create highly compressed graphics les. The amount of compression used can be varied. Les
Glossary 468matte Sometimes referred to as a holdout matte. An eect that uses information in one layer of video to aect another layer. Mattes are
Glossary 469nondestructive editing No matter how you edit clips in Final Cut Pro, the underlying media is never touched. This is known as nondestru
Chapter 4 Analyze media 47Analyze your mediaYou can analyze clips during the import process, analyze clips in the Event Browser after import, o
Glossary 470pitch Sounds are perceived as high or low depending on their frequency, or the number of times per second a sound wave cycles from posi
Glossary 471red laser media Traditional DVD burners and players use a red laser when working with DVD media. Blu-ray burners and players use a blue
Glossary 472scene A series of shots that take place at the same time in the same location. A series of scenes make up a program.Select tool The de
Glossary 473source media les The original les (video, audio, and still images or graphics) that you import into Final Cut Pro. A clip you use in
Glossary 474timecode A signal recorded with your video that uniquely identies each frame. By default, timecode appears in Final Cut Pro in the for
Glossary 475value slider A value slider is a type of numerical slider control that appears as a number, often to the right of a basic slider. There
Glossary 476Y'CbCr The color space in which many digital video formats store data. Three components are stored for each pixel—one for luma (Y)
Chapter 4 Analyze media 48Analyze clips after import 1 In the Event Browser, Control-click one or more clips and choose “Analyze and Fix” from
Chapter 4 Analyze media 49View keywords in the Skimmer Info window 1 Choose View > Show Skimmer Info (or press Control-Y). 2 Skim the clip
109 Replace a clip in your project with another clip111 Add and edit still images113 Create freeze frames114 Add clips using video-only or audi
Chapter 4 Analyze media 50View the contents of a Smart CollectionIf you chose to create Smart Collections after analysis, clips that have analy
51EventsandclipsoverviewWhen you import video, audio, and still images, or record directly into Final Cut Pro, the source media les (your raw f
Chapter 5 Organizeyourmedia 52OrganizeeventsCreate a new eventAfter importing your source media les into Final Cut Pro, you may nd that yo
Chapter 5 Organizeyourmedia 53Merge or split eventsYou can merge (combine) two or more events in the Event Library (for example, if the media
Chapter 5 Organizeyourmedia 54Copy clips from one event to another 1 In the Event Library, select the event that contains the clips you want
Chapter 5 Organizeyourmedia 55Move an event 1 Make sure another hard disk is connected to your computer. 2 Choose Group Events by Disk from
Chapter 5 Organizeyourmedia 56 m To view events by the date they were recorded: Choose Group Events by Date from the Action pop-up menu, and
Chapter 5 Organizeyourmedia 57The selected clips’ source media les, or the event and all its associated source media les, are moved to the
Chapter 5 Organizeyourmedia 58Switch between lmstrip and list viewsDo one of the following: m Click the Filmstrip View button in the bottom-
Chapter 5 Organizeyourmedia 59 m To adjust the lmstrip height: At the bottom-right corner of the Event Browser, click the Clip Appearance bu
189 Adjust audio eects192 Adjust audio eects using keyframes199 Audio tools and techniques199 Enhance audio202 Sync audio and video automatical
Chapter 5 Organizeyourmedia 60Customize list view m To choose what type of information is displayed in list view columns as well as customize
Chapter 5 Organizeyourmedia 61Rename clipsYou can rename clips in the Event Browser, the Timeline Index, or the Info inspector at any time.Re
Chapter 5 Organizeyourmedia 62Rate clips as Favorite or RejectedIf your clips contain sections that you don’t like or that you might never wa
Chapter 5 Organizeyourmedia 63Remove ratings from clips 1 Make sure the clips you want to work with appear in the Event Browser.You might ne
Chapter 5 Organizeyourmedia 64Add keywords to clipsYou can apply keywords to your clips to help you quickly locate the clips you need to comp
Chapter 5 Organizeyourmedia 65 4 Repeat step 3 for each keyword or keyword phrase you want added to the selection.A blue line appears at the
Chapter 5 Organizeyourmedia 66View keywords applied to clips m To quickly identify clips that have keywords: Select an event in the Event Lib
Chapter 5 Organizeyourmedia 67Add or edit clip notesAs you review your clips, you can add and edit notes about them in the Event Browser or t
Chapter 5 Organizeyourmedia 68 3 If the Notes column is not visible in the Clips pane, Control-click a column heading and choose Notes from
Chapter 5 Organizeyourmedia 69Filter clips quickly by ratingUse the Filter pop-up menu in the Event Browser to quickly nd clips by rating. 1
242 Onscreen controls overview242 Show or hide onscreen controls243 Onscreen control examples247 Use the Video Animation Editor247 Video animatio
Chapter 5 Organizeyourmedia 70 •People: Find clips that Final Cut Pro has identied as having people in them. •Format Info: Find clips using
Chapter 5 Organizeyourmedia 71 3 Use the Filter pop-up menu, as described in the “Filter clips quickly by rating” steps above, to quickly l
Chapter 5 Organizeyourmedia 72Delete a Smart Collection m In the Event Library, select the Smart Collection you want to delete, and choose Fi
73PlaybackandskimmingoverviewFinal Cut Pro makes it easy to view and listen to your media, whether it’s located in the Event Browser, the Projec
Chapter 6 Play back and skim media 74Play back mediaYou can play back projects and clips in Final Cut Pro. Playback options include playing fro
Chapter 6 Play back and skim media 75Use the J, K, and L keys for playbackYou can use the J, K, and L keys on your keyboard to play through a p
Chapter 6 Play back and skim media 76Play video in full-screen view 1 Select or open a project in the Project Library or open a clip in the Ev
Chapter 6 Play back and skim media 77Skim clips with editing toolsYou can skim clips when you use the Blade, Trim, and Range Selection tools in
Chapter 6 Play back and skim media 78PlaybackandskimmediaintheEventViewerSometimes, you may need two viewers so that you can play back
Chapter 6 Play back and skim media 79Note: If the Event Viewer is also visible, both viewers appear on the second display. 3 To return the Vi
334 Chapter 12: Keying and compositing334 Keying334 Keying overview334 Use chroma keys343 Use luma keys348 Finalize the key351 Compositing351
Chapter 6 Play back and skim media 80 4 In Final Cut Pro, choose Window > A/V Output.The Viewer contents appear on the broadcast monitor. V
81CreateanewprojectTo create a movie in Final Cut Pro, you rst create a project, which provides a record of your editing decisions and the medi
Chapter 7 Createandmanageprojects 82 6 If you want to make any changes to the project’s video or audio properties, select Custom and use th
Chapter 7 Createandmanageprojects 83Modifyaproject’snameandpropertiesAs your project evolves, you may decide you want to rename it or c
Chapter 7 Createandmanageprojects 84 4 In the window that appears, change the settings as appropriate.Choose a default Event from the pop-u
Chapter 7 Createandmanageprojects 85Dene the order in which events are referenced by a projectIf you have duplicate clips in dierent event
Chapter 7 Createandmanageprojects 86OrganizeprojectsintheProjectLibraryAll your Final Cut Pro video projects are listed in the Project
Chapter 7 Createandmanageprojects 87 4 Select an option to specify what is duplicated: •Duplicate Project Only: Duplicates only the project
Chapter 7 Createandmanageprojects 88 4 Select an option to specify what is moved: •Move Project Only: Moves only the project le. •Move Pro
Chapter 7 Createandmanageprojects 89SaveprojectsFinal Cut Pro automatically saves all the changes you make as you work on a project, which
390 Chapter 15: Manage media les390 Media management overview390 Where your media and project les are located392 Manage your media les392 Vie
90EditingoverviewThe term video editing refers both to broader stages of a project workow and to very specic manual tasks that you do with clips
Chapter 8 Edityourproject 91You can adjust the appearance of lmstrips in the Event Browser and the Timeline so that it’s easier to make sele
Chapter 8 Edityourproject 92Select an entire clipDo one of the following: m Click the clip once. m Move the skimmer (or the playhead) over a
Chapter 8 Edityourproject 93 m To select multiple clips by dragging: Drag a selection rectangle over the Timeline or event clips you want to
Chapter 8 Edityourproject 94Select a rangeDo one of the following: m In the Event Browser, drag across any clip (lmstrip). A yellow border a
Chapter 8 Edityourproject 95 m Command-click a colored marker line at the top of a clip.These marker lines can indicate any of the following:
Chapter 8 Edityourproject 96Set the range selection to match the boundaries of the clip m Move the skimmer (or the playhead) over a clip and
Chapter 8 Edityourproject 97Set multiple ranges in an event clip 1 In the Event Browser, select a range within a clip. 2 To set an addition
Chapter 8 Edityourproject 98Select and deselect ranges and clips in an eventYou can set, select, or deselect multiple ranges within event cli
Chapter 8 Edityourproject 99AddandremoveclipsAdding clips overviewYou build a movie project by adding clips to the Timeline in a chronolog
Kommentare zu diesen Handbüchern