Apple Final Cut Pro 6 Spezifikationen PDF herunterladen (Seite 118)

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118 Chapter 7 Working with AVC-Intra

Color Recording Method

The 100 Mbps AVC-Intra color sample ratio is 4:2:2, with 10 bits per sample. The

50 Mbps AVC-Intra color sample ratio is 4:2:0, with 10 bits per sample.

Data Rate

AVC-Intra can be recorded at either 100 or 50 Mbps. Lower frame rates reduce the

storage space used by your footage.

Audio

AVC-Intra camcorders provide four-channel uncompressed audio recording.

Data rate Frame dimensions Color sample ratio

50 Mbps 1440 x 1080

960 x 720

4:2:0 with 10 bits per sample

100 Mbps 1920 x 1080

1280 x 720

4:2:2 with 10 bits per sample

1 2 ... 113 114 115 116 117 118 119 120 121 122 123 ... 130 131

Final Cut Pro 6 1
Contents 3
About High Definition 7
NTSC-Compatible HD Formats 8
PAL-Compatible HD Formats 8
Film-Compatible HD Formats 8
Working with HDV 11
59.94 fps Formats 12
25 fps Formats 12
About MPEG Compression 13
More About Long-GOP Video 14
Native HDV Editing Workflow 15
Steps for Native HDV Editing 16
Choosing an Easy Setup 17
Log and capture buttons 18
Preview area 18
Logging, Clip Settings, and 18
Capture Settings tabs 18
Resize control 18
Recapturing HDV Footage 25
Editing HDV Footage 26
Rendering HDV 27
720 lines 37
1080 lines 37
Working with DVCPRO HD 41
59.94 fps–Based Formats 42
50 fps–Based Formats 42
DVCPRO HD Frame Rates 43
720p60 DVCPRO HD 44
720p50 DVCPRO HD 45
Select to remove 48
Editing DVCPRO HD Footage 49
720p60 Output and Playback 50
50 fps 50, 25, and 24 fps 55
Working with 24p DVCPRO HD 57
1080i60, 1080p30 61
1080pA24 61
Working with IMX 65
About MXF 66
Choosing an IMX Easy Setup 67
IMX Format Specifications 68
Using the Log and Transfer 71
About File-Based Media 72
File-Based Media Terminology 74
Mounting Media Devices 78
Using the Browse Area 78
Controls in the Browse Area 79
Using the Preview Area 82
Using the Logging Area 84
Incrementing Logging Fields 85
Using the Transfer Queue 86
Pausing and Stopping Ingest 87
Reingesting Clip Media 88
Archiving to a Folder 91
Archiving to a Disk Image 92
Clear Logging Autofill Cache 93
95 95
An individual P2 97
Unmounting P2 Cards 99
Restrictions During Preview 100
During Transfer 101
Working with Spanned Clips 101
Panasonic AG-HVX200E (PAL) 106
Working with AVCHD 109
Transferring AVCHD Footage 110
AVCHD Format Specifications 112
Working with AVC-Intra 115
Working with Sony XDCAM 119
XDCAM HD VBR Easy Setups 120
XDCAM HD CBR Easy Setups 120
XDCAM HD422 CBR Easy Setups 121
About Sony Video Disk Units 129
A FireWire hard drive 130

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