Apple GarageBand Bedienungsanleitung

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GarageBand
Create, edit, and share great music
on your Mac and iOS device
Mary Plummer
Lesson and media files available for download
GarageBand
Plummer
ISBN-13:
ISBN-10:
978-0-13-390092-7
0-13-390092-4
9 780133 900927
52999
USA $29.99 Canada $33.99
Apple Pro Training Series: GarageBand
The only Apple-certified guide to GarageBand, Apple Pro Training
Series: GarageBand will help you create, edit, and share original
works in no time. Using real-life material and practical lessons
that you can incorporate immediately into your own projects,
this book and downloadable media offer a complete, self-paced
course in all aspects of GarageBand. You’ll work with a wide range
of media, including projects from a professional guitarist, an
award-winning poet, an independent hip-hop recording artist,
and award-winning dancers. You’ll master GarageBand tools
quickly through fun projects, and share them using social media
and iCloud. The book comes with an online bonus lesson on
GarageBand for iOS that shows how to share projects via iCloud
between iOS devices or create projects on your iOS device and
finish them on your Mac.
Focused lessons take you step by step through:
Mastering GarageBand for Mac with fun, real-world projects
Arranging, editing, and mixing an original piece of music
Creating a ringtone from scratch using Apple Loops
Testing amp simulators and stomp boxes with an electric
guitar solo
Editing spoken dialog for an audio book
Laying down original hip-hop beats using drum machine
loops you create and dynamic tempo changes
Adding EQ effects to a dance video to enhance the sound
Sharing GarageBand songs via iCloud between iOS devices
and your Mac (online bonus lesson)
The Apple-Certified Way to Learn
The Apple Pro Training Series is the official self-paced
learning guide of the Apple Training program. To learn more,
please visit training.apple.com.
Also in the Apple Pro Training Series:
iPhoto
iMovie
Aperture 3, Second Edition
Final Cut Pro X 10.1: Professional Post-Production
Logic Pro X: Professional Music Production
About the Author Mary Plummer has been editing film
and video professionally for over 20 years. An Apple Certified
Trainer in Final Cut Pro, Motion, and Soundtrack Pro, she has
edited music videos, documentaries, trailers, and independent
feature films, and composed original music that has been used
in film and video projects from coast to coast. She is co-owner
of InVision Digital and Media Arts, located in Orlando, Florida.
She was lead trainer for Apple’s Pro Certification program for
more than ten years and traveled the country and Europe
training new Apple certified trainers. She has authored numerous
books, including Apple Pro Training Series: Soundtrack Pro; Apple
Pro Training Series: Getting Started with Motion; and Apple Pro
Training Series: Getting Started with Final Cut Studio.
Level: Beginner/Intermediate
Category: Digital Audio/Music
Requires: GarageBand for Mac 10.0.2
or later, Mac OS X 10.9.2 or later
Peachpit Press
www.peachpit.com
Lesson files available for download
Companion Web Page:
www.peachpit.com/aptsgb
Record bass tracks to the rhythm of a virtual
drummer
Use Amp Designer and Pedalboard to create
custom electric guitar effects
Add effects and EQ to a hip-hop dance beat
Apple Pro Training Series
Apple Pro Training Series
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Inhaltsverzeichnis

Seite 1 - GarageBand

GarageBandCreate, edit, and share great music on your Mac and iOS deviceMary PlummerLesson and media files available for downloadGarageBandPlummerISBN

Seite 2

Contents ixExploring the Default Electric Guitar Track Effects ... 195Using Stompboxes in the Pedalboard ... 198Moving a Region

Seite 3

x ContentsEvaluating the Overall Sound... 284Working with the Analyzer and the Graphic EQ... 288Bonus Exercise1...

Seite 4

xiWelcome to the official training course for GarageBand, Apple’s totally redesigned and more-powerful-than-ever music recording and arrange-ment soft

Seite 5

xii Getting StartedThere is also a bonus GarageBand for iOS overview lesson that shows you how to create projects, change instruments, record, add loo

Seite 6 - Contents at a Glance

The Methodology xiiiditty (recorded on an iPhone while walking a dog—really) to a recording session with a professional guitarist, to creating a lo

Seite 7 - Table of Contents

xiv Getting StartedSystem Requirements This book was written using GarageBand 10 on OS X Mavericks. However, the project files and lessons are compati

Seite 8 - Working with Apple Loops

Resources xvCopying the GarageBand Lesson FilesThe Apple Pro Training Series: GarageBand lesson files must be downloaded to your Mac in order to compl

Seite 9

xvi Getting StartedAcknowledgmentsWe would like to thank the following individuals for their contributions of media used throughout the book:Casey Bra

Seite 10 - Contents ix

Image here is FPO. Cover designer will provide an image during production.

Seite 11

#Lesson Files APTS GarageBand Book Files > Lesson 4 > 4-1 Ditty Bass Part 1, 4-2 Bass 1 Recorded, 4-3 Bass Part 2, 4-4 Bass Part 2 Recorded, 4-5

Seite 12 - Getting Started

Apple Pro Training SeriesGarageBandMary Plummer

Seite 13 - What GarageBand Does for You

111You already have a basic understanding of the GarageBand window, and you have some experience working with tracks. Now it’s time to dive in and sta

Seite 14 - The Methodology

112 Recording and Editing Software InstrumentsPreparing the ProjectLet’s take a moment to open and save the first project for this lesson before mo

Seite 15 - System Requirements

Using Catch Mode to Keep the Playhead Visible 113Independent Catch buttons in the tracks area, Audio Editor, and Piano Roll Editor menu bar allow y

Seite 16 - Resources

114 Recording and Editing Software Instruments5 Click the Catch button again to “catch” the playhead so that it displays on the screen. The playhea

Seite 17 - Acknowledgments

Single-Take Recording 115This is the track where you will record your bass part.3 Press C or click the Cycle button to show the yellow cycle area o

Seite 18 - Image here is FPO. Cover

116 Recording and Editing Software Instruments5 Press the Spacebar to start playback and listen to the bass part. Follow along with the playhead in

Seite 19

Playing Music with Your Computer Keyboard 1172 Drag the Musical Typing window below the Fingerstyle Bass track header so that you can still see the

Seite 20 - Software Instruments

118 Recording and Editing Software Instruments6 Start playback and practice along with the prerecorded bass part. You can use the audio of the Fing

Seite 21 - Preparing the Project

Recording a Single Take in the Timeline 119The last thing to do before recording is set a “count-in” so that the metronome will click for one full

Seite 22

120 Recording and Editing Software InstrumentsStarting the instant you click Record, the playhead will move back two measures from its current posi

Seite 23 - Single-Take Recording

Apple Pro Training Series: GarageBand Mary PlummerCopyright © 2015 by Peachpit Press Peachpit Presswww.peachpit.comTo report errors, please send a not

Seite 24 - Single-Take Recording 115

Fixing Notes in the Piano Roll Editor 121The recorded region is named after the track and should look a lot like the original Fingerstyle Bass regi

Seite 25

122 Recording and Editing Software Instruments4 Swipe over the region in the Piano Roll Editor display area left or right, or drag the horizontal s

Seite 26

Fixing Notes in the Piano Roll Editor 123Notice that when you select a note, the Notes tab at the top of the Piano Roll Editor inspector turns blue

Seite 27

124 Recording and Editing Software InstrumentsQuantizing Notes in a RegionRather than manually moving each and every note in a region to fix the ti

Seite 28

Fixing Notes in the Piano Roll Editor 125NOTE▶ The top of the Piano Roll Editor inspector shows what is currently selected, and therefore what will

Seite 29

126 Recording and Editing Software Instruments7 Save your progress.Project TasksYou’ve successfully recorded a single-take Software Instrument Bass

Seite 30 - Display area

Working with Smart Controls and the Arpeggiator 127Working with Smart Controls and the ArpeggiatorFor the second bass recording, you’ll work with t

Seite 31

128 Recording and Editing Software InstrumentsThe controls that look like they are mounted on a bass guitar can be used to adjust the sound of the

Seite 32

Preparing the Project 129Preparing the ProjectYou still need to create a track to record your second bass part for the chorus section of the song.

Seite 33 - Quantizing Notes in a Region

130 Recording and Editing Software InstrumentsIf practicing or recording with an arpeggiated Software Instrument is distract-ing you from concentra

Seite 34

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Seite 35 - Project Tasks

Recording Multiple Takes 1311 Choose GarageBand > Preferences.2 In General Preferences, make sure Cycle Recording is deselected.If Cycle Recordi

Seite 36

132 Recording and Editing Software Instruments6 Click the Record button to begin multiple-take recording. You will hear the count-in before recordi

Seite 37

Choosing a Take 1331 Select the multiple-take region in your timeline and press Command-Right Arrow or the horizontal zoom slider to zoom into the

Seite 38

134 Recording and Editing Software Instruments5 Double-click the multiple-take region with the best take showing to open it in the Piano Roll Edito

Seite 39 - Recording Multiple Takes

Choosing a Take 1357 Select the first note, and choose “1/4 note” from the Time Quantize pop-up menu.The selected note moves to the beginning of th

Seite 40 - 4 Turn on the metronome

136 Recording and Editing Software Instruments9 Zoom out of the Piano Roll Editor until you can see all the notes in the region to inspect their qu

Seite 41 - Choosing a Take

Editing Multiple Notes Simultaneously in the Editor 137NOTE▶ If you did not complete all of the previous exercises in this lesson, open the project

Seite 42 - Choosing a Take 133

138 Recording and Editing Software InstrumentsRemember, your goal is to delete middle notes; you’ll keep the highest and lowest notes.Delete the se

Seite 43

Editing Multiple Notes Simultaneously in the Editor 1395 Drag up and to the right across the middle notes as shown to select them all at once.6 Pre

Seite 44 - Choosing a Take 135

140 Recording and Editing Software InstrumentsProject TasksNow that you know how to clean up extraneous notes in the Piano Roll Editor, you can wor

Seite 46

Copying Parts of a Song with the Arrangement Track 1411 Click the Add button (+) in the arrangement track header to create a new arrange-ment marke

Seite 47

142 Recording and Editing Software Instruments3 Drag the right edge of the Bridge arrangement marker to bar 29.The bridge section of the song is no

Seite 48 - 8 Save your progress

Copying Parts of a Song with the Arrangement Track 1436 Option-drag the Chorus arrangement marker to bar 37 so the copy starts after the bridge sec

Seite 49

144 Recording and Editing Software Instruments9 In the Outro section of the song, drag the left edge of the region in the String Ensem-ble track to

Seite 50

Project Tasks 145The end-of-project marker automatically moves one bar to the right of the last region in the song—in this case, bar 54.13 Zoom out

Seite 51

146 Recording and Editing Software InstrumentsRecording Multiple TracksThe last recording feature you’ll explore in this lesson is recording to mul

Seite 52

Recording Multiple Tracks 1472 Save the project as Multi-track Recording Test to your projects folder.The project has the Smart Controls pane showi

Seite 53

148 Recording and Editing Software Instrumentsthis time. Click Create. You may see an Avoid feedback warning dialog that says you need to use headp

Seite 54

Recording Multiple Tracks 149The new audio track you created should be in the timeline directly below the track you selected to record your musical

Seite 55 - Recording Multiple Tracks

150 Recording and Editing Software InstrumentsIt’s also a good idea to monitor the input of your audio track so you can hear your microphone throug

Seite 56

Contents at a GlancevGetting Started...xiLesson 1 Working with a GarageBand Project... 1Les

Seite 57

Lesson Review 151Lesson Review1. What button determines if the playhead stays in the visible area of the window or continues off the right edge of

Seite 58

308IndexAacoustic guitarchanging Software Instrument tracks, 43–44copying and moving parts of a song, 144creating new track, 44–46duplicating regions,

Seite 59

Index 309bass guitar. See also Fingerstyle Basscreating bass part with arpeggiator, 127–130exercise arranging songs, 105rhythm of song and, 93–94wavef

Seite 60 - Lesson Review

310 Indexrecording multipass drum beats, 246–247reordering, 59–60rhythm of song and, 93–94waveforms of, 245dubbing preferences, percussion, 248duplica

Seite 61

Index 311horizontal zoom sliderexpanding audio waveform with, 22understanding Tracks area, 8zooming in/out of timeline, 51–52IiCloud, opening/saving p

Seite 62 - Index 309

312 IndexMIDI regionsidentifying in workspace, 13–14making regions loop-ready, 254–256recording, 13Mix controls, adjusting drum kit instruments, 251–2

Seite 63 - 310 Index

Index 313Router for pedal control, 200–201selecting pedals, 202pedals. See stompboxes (pedals)percussionbuilding rhythm, 95–96comparing melody and rhy

Seite 64 - Index 311

314 Indexcreating effects by moving to different tracks, 206–209deleting unused takes from multitake region, 183–185duplicating, 50–51editing audio re

Seite 65 - 312 Index

Index 315overview of, 111playing with computer keyboard, 116–118quantizing notes in a region, 124–126region of Audio Editor, 23review, 151selecting ta

Seite 66 - Index 313

316 Indexpercussion. See percussion trackspreviewing finished project and, 38–39recording multiple, 146–150reordering, 59–60resizing regions, 52–53rev

Seite 67 - 314 Index

Table of ContentsviGetting Started ... xiLesson 1 Working with a GarageBand Project ...1Downloading GarageBand Pro

Seite 68 - Index 315

Contents viiChanging Software Instrument Track Instruments ... 43Creating a New Track ... 44Playing the Onscree

Seite 69 - 316 Index

viii ContentsLesson 4 Recording and Editing Software Instruments .......111Preparing the Project ......... 11

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