Apple Logic Express 7 Technical Information Seite 47
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Chapter 6 Filter 47
Warning: Please take care while doing this, or your ears and speaker system may be
damaged.
Relative Q
The quality of the main filter peak can be increased/decreased, relative to the model
setting, thereby obtaining a sharper/softer wah sweep. When set to a value of 0, the
original setting of the model is active. Range: −1.00 to +1.00 (0.00 is the default)
Pedal Range
Common MIDI foot pedals have a much larger mechanical range than most classic Wah
pedals.
The exact sweep range of the wah filter effected by the MIDI foot pedal is set with the
Pedal Range parameters. The highest and lowest possible value reached by the pedal is
graphically represented by a gray bracket around the Pedal Position fader (see below).
The left and right limit is set by clicking and moving it with the mouse. Additionally
both values can be moved simultaneously by clicking in the center of the bracket and
moving it to the left or right.
Pedal Position
This parameter represents the current position of the Wah pedal.
To control and automate the Pedal Position via an external MIDI controller for example
a MIDI pedal, your Logic Environment has to be prepared accordingly.
AutoWah Depth
In addition to using MIDI foot pedals (see above), the wah effect can be controlled
using the Auto Wah facility. The sensitivity of the Auto Wah can be set with the Depth
parameter. Range: 0.00 to 100 .
- Logic Express 7 1
- Plug-In Reference 1
- Contents 3
- Introducing Logic’s Plug-ins 7
- About This Manual 8
- Conventions of This Guide… 9
- Using Plug-ins 11
- 12 Chapter 1 12
- Basics 12
- Bypassing Plug-ins 13
- The Plug-in Window 14
- Chapter 1 15
- Plug-in Settings 16
- Plug-in Automation 17
- Instruments and Effects 19
- Instrument Plug-ins 20
- Accessing Multiple Outputs 22
- Software Instrument Pitch 22
- Equalizer 23
- Silver EQ 24
- Individual EQs 25
- Compressor 27
- 28 Chapter 4 Dynamic 28
- Chapter 4 Dynamic 29 29
- Silver Compressor 30
- Noise Gate 30
- Chapter 4 Dynamic 31 31
- Silver Gate 32
- Parameters of the Limiter 33
- Preset Multipressor 34
- Chapter 4 Dynamic 35 35
- Distortion 37
- 38 Chapter 5 Distortion 38
- Overdrive 39
- Bitcrusher 40
- Clip Distortion 41
- Phase Distortion 42
- AutoFilter 43
- 44 Chapter 6 Filter 44
- Chapter 6 Filter 45 45
- Fuzz-Wah 46
- Chapter 6 Filter 47 47
- High Cut/Low Cut 48
- High Pass/Low Pass Filter 48
- Sample Delay 49
- Tape Delay 50
- Chapter 7 Delay 51 51
- Stereo Delay 52
- Modulation 53
- 54 Chapter 8 Modulation 54
- Chapter 8 Modulation 55 55
- 56 Chapter 8 Modulation 56
- Spreader 57
- 59 59
- SilverVerb 60
- GoldVerb 61
- 62 Chapter 9 Reverb 62
- Chapter 9 Reverb 63 63
- PlatinumVerb 64
- Chapter 9 Reverb 65 65
- Pitch Shifter II 67
- Denoiser 68
- Chapter 10 Special 69 69
- 71 71
- 72 Chapter 11 Helper 72
- Parameters 73
- Levelmeter 74
- Synthesizer Basics 75
- What Is Synthesis? 76
- Subtractive Synthesis 76
- Other Oscillator Waveforms 79
- Envelopes 79
- Concept and Function 81
- Global Parameters 82
- FM Parameters 82
- Modulation Env(elope) 83
- FM Depth 83
- Modulator Pitch 83
- Modulator and Carrier 84
- The Output Section 85
- Main Level 86
- Randomize 86
- Parameters of the ES M 87
- 88 Chapter 14 ES M 88
- Parameters of the ES P 89
- 90 Chapter 15 ES P 90
- E synthesizer 93
- Parameters of the ES E 93
- 94 Chapter 16 ES E 94
- Parameters of the ES1 95
- Filter Parameters 96
- ADSR Via Vel 97
- Level Via Vel 98
- Amplifier Envelope Selector 98
- LFO Waveform 98
- Int Via Whl 99
- 100 Chapter 17 ES1 100
- Chapter 17 ES1 101 101
- KlopfGeist 103
- 104 Chapter 18 KlopfGeist 104
- 105 105
- Using Instruments 106
- File Organization 107
- 108 Chapter 19 EXSP24 108
- Chapter 19 EXSP24 109 109
- 110 Chapter 19 EXSP24 110
- Sample File Import 111
- Importing SoundFont2 Files 112
- Importing SampleCell Files 113
- Importing Giga Files 114
- Converting AKAI Files 114
- Chapter 19 EXSP24 11 5 115
- 116 Chapter 19 EXSP24 116
- Chapter 19 EXSP24 11 7 117
- 118 Chapter 19 EXSP24 118
- Vienna Library 119
- Plug-in Window Parameters 119
- 120 Chapter 19 EXSP24 120
- Chapter 19 EXSP24 121 121
- • dB linear 122
- • linear (gain linear) 122
- • equal power 122
- Chapter 19 EXSP24 12 3 123
- 124 Chapter 19 EXSP24 124
- Chapter 19 EXSP24 12 5 125
- 126 Chapter 19 EXSP24 126
- Chapter 19 EXSP24 12 7 127
- 128 Chapter 19 EXSP24 128
- Chapter 19 EXSP24 12 9 129
- 130 Chapter 19 EXSP24 130
- Chapter 19 EXSP24 133 133
- EXSP24 Key Commands 134
- A Brief History of Sampling 135
- MIDI Controller List 136
- GarageBand Instruments 139
- Glossary 141
- 142 Glossary 142
- Glossary 143 143
- 144 Glossary 144
- Glossary 145 145
- 146 Glossary 146
- Glossary 147 147
- 148 Glossary 148
- Glossary 149 149
- 150 Glossary 150
- Glossary 151 151
- 152 Glossary 152
- Glossary 153 153
- 154 Glossary 154
- Glossary 155 155
- 156 Glossary 156
- Glossary 157 157
- 158 Glossary 158
- Glossary 159 159
- 160 Glossary 160
- 162 Index 162
- Index 163 163
- 164 Index 164
- Index 165 165
- 166 Index 166
- Index 167 167
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