Apple Final Cut Studio Spezifikationen PDF herunterladen (Seite 107)

• If you’re delivering your video master on an HDCAM SR or D-5 tape, you may be

requested to output all six discrete surround channels, plus stereo downmix channels,

onto the tape master itself. HDCAM SR supports 12 audio channels, and D-5 supports

8 channels.

• If you’re providing a Dolby E mix, distributors often ask for both stereo and surround

mixes output to the same videotape master, because most professional videotape

formats support at least four tracks of audio. For example, channels 1 and 2 would

contain stereo left and right, and channels 3 and 4 would contain a pair of Dolby

E–encoded surround tracks. A properly mixed surround mix can be downmixed easily

into a stereo mix.

Left/Center/Right

This option can serve as a “poor filmmaker’s surround mix.” With proper mixing, the

audible results of using three front channels (left, center, and right) can open up the

listener’s sound field and provide a more immersive experience than stereo, without the

extra work involved in creating a full-blown 5.1 surround mix. Using Compressor, you can

easily encode a left/center/right mix into a Dolby Digital audio file for DVD authoring. If

the three channels are properly mixed, you can use Final Cut Pro to downmix them into

a stereo mix for tape output, using the audio outputs that can be assigned in the Timeline.

For more information, see the Final Cut Pro documentation.

Alternative Audio Mixes for International Distribution

If you’re delivering a program for international distribution, there are several standard

audio mix deliverables that will probably be requested.

• Stems and music and effects mixes: Film distributors often require you to provide stems,

or dialogue, effects, and music submixes output to separate stereo pairs of tracks.

Television broadcasters usually ask for the original mix and a separate music and effects

(M & E) mix without dialogue. (One exception is that documentary programs often leave

the original interview dialogue in an M & E mix but omit voiceover.) For stereo or Dolby

E–encoded programs being output to videotape, the original mix is usually recorded

to audio tape channels 1 and 2, and the M & E mix is usually recorded to channels 3

and 4. These requests are to accommodate the overdubbing of dialogue into the native

language of distribution territories for which dubbing is the norm. Ask the distributor

or broadcaster how the various audio tracks should be mixed and organized, as delivery

specifications vary.

• Optional tracks: Some distributors also request optional tracks, to hold specific aural

elements such as nonverbal vocalizations by the original actors that an international

sound engineer may or may not want to use. Ask ahead for specific instructions, as

delivery specifications vary.

107Chapter 6 Mastering

1 2 ... 102 103 104 105 106 107 108 109 110 111 112 ... 115 116

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Diodes DESD5V0S1BA User Manual (4 pages)

Brand: Diodes | Category: Hardware | Size: 0.08 MB |

DESD5V0S1BA

ADVANCE INFORMATION

Maximum Ratings @T

Thermal Characteristics

Electrical Characteristics @T

Package Outline Dimensions

Suggested Pad Layout

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Apple Final Cut Studio Spezifikationen Seite 107

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