Apple Final Cut Studio Spezifikationen PDF herunterladen (Seite 74)

Stage 4: Changing the Ingest Options in the Log and Transfer Window

Open the Log and Transfer window and choose Preferences from the Action pop-up

menu (the menu with the gear icon). When the Import Preferences dialog appears, choose

the appropriate option from the pop-up menu in the “Transcode to” column corresponding

to your format. When you finish, close the Log and Transfer window to save the new

settings.

Stage 5: Retransferring the Media Used in the Sequence

When you’re ready to retransfer the footage, Control-click the new offline sequence that’s

been created, then choose Batch Capture from the shortcut menu. When the Log and

Transfer window appears, reingest all necessary footage from your archived media

directories.

For more information, see the Final Cut Pro documentation.

Reconforming Tape-Based Media

This workflow is intended for projects using SD and HD video recorded to tape. This

workflow may also include film that was transferred to tape via a best-light or safety

transfer. For this workflow to go smoothly, it is imperative that your timecode be reliable

and that the reel number of each clip be accurate. Ideally, all of your clips should

correspond to a clearly labeled set of tapes; this is especially important if you anticipate

that another editor or facility may be doing the reconform.

Stage 1: Preparing Your Sequence for Media Management

In general, it’s a good idea to do a certain amount of preparation to your sequence before

using the Media Manager, in order to avoid recapturing media you don’t really need. One

easy thing you can do is to move all video clips that aren’t being superimposed as part

of an effect or compositing operation down to track V1. This process overwrites any

hidden video items that appear underneath clips on higher video tracks (either partially

or completely) that aren’t really part of the edit. This process also nicely organizes the

sequence for color correction later.

To make sure that all video items in the topmost video tracks correctly overwrite the

hidden parts of clips in lower video tracks, move clip items down one track at a time; for

example, move any noncomposited items in track V4 down to V3, then move all

noncomposited items in track V3 down to V2, and finally move all of the noncomposited

items in track V2 to V1.

Stage 2: Using the Media Manager to Create an Offline Version of Your Edited

Sequence

The safest way to recapture the media needed by your program is to use the Media

Manager to create an offline copy of your final sequence. Here are some recommended

Media Manager settings. For more information, see the Final Cut Pro documentation.

• Media pop-up menu: Create Offline

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