Apple Shake 4 Tutorials Bedienungsanleitung Seite 152
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152 Tutorial 4 Working With Expressions
The solid alpha value is extended infinitely, and masks the RGrad outside of the
ceiling frame.
6 View RBlur1 (click the left side of the node).
The bleeding from the edges disappears.
Solution 2: Clip the Infinite Workspace
The second solution is to clip the Infinite Workspace with a Crop node. This removes
everything outside of the frame, and returns the frame to black.
To add a Crop node:
1 If you already followed Solution 1, delete the SetBGColor1 node and reconnect the
Viewport1 node to the Outside1 node.
2 Select the Outside1 node and insert a Transform–Crop node.
- Tutorials 1
- Contents 3
- Welcome to Shake 4 7
- Installing the Tutorial Media 8
- Mac OS X Notes 8
- Control vs. Command 9
- Shake Basics 11
- A Tour of the Basics 12
- Using the Shake Panels 13
- Contextual Help 14
- Shortcut Menus and Lists 14
- Chapter 1 Shake Basics 15 15
- Loading Images 16
- Chapter 1 Shake Basics 17 17
- Browsing Tips 18
- Working With Thumbnails 19
- 20 Chapter 1 Shake Basics 20
- Chapter 1 Shake Basics 21 21
- 22 Chapter 1 Shake Basics 22
- Panning, Zooming, and Framing 23
- Setting the Frame Range 23
- Working With Windows 24
- Launching a Flipbook 24
- Flipbook Controls 25
- Compositing Elements 26
- Chapter 1 Shake Basics 27 27
- 28 Chapter 1 Shake Basics 28
- Chapter 1 Shake Basics 29 29
- 30 Chapter 1 Shake Basics 30
- Setting Resolution 31
- 32 Chapter 1 Shake Basics 32
- Filtering and Masking 33
- Tuning Parameters 34
- Chapter 1 Shake Basics 35 35
- 36 Chapter 1 Shake Basics 36
- Working With Layer Nodes 37
- 38 Chapter 1 Shake Basics 38
- Chapter 1 Shake Basics 39 39
- Transforming an Image 40
- Fading an Element 41
- 42 Chapter 1 Shake Basics 42
- Rendering a Sequence 43
- About File Names 44
- Batch Rendering in a Shell 45
- 46 Chapter 1 Shake Basics 46
- Intermediate Skills 47
- Inserting Nodes Into a Tree 48
- Optimizing With SetDOD 51
- Grouping Nodes 53
- Using the Time View 55
- Black No frames repeat 59
- Button Mode Result 59
- Creating Motion Blur 66
- Motion Blur Parameters 67
- Importing Photoshop Files 71
- Curve Editing Tips 79
- Color Correction 80
- R channel value 85
- B channel value 85
- Green channel value 86
- Before Mult After Mult 90
- Depth Compositing 91
- Working With Z Channels 93
- Displaying Z Channels 95
- Adjusting Z Depth 101
- Fading With Distance 107
- This part of the mask is 108
- After adjustment, the 108
- Original image 111
- Animating a MultiPlane Camera 121
- • L5_cameraDistance = 1500 128
- • L4_cameraDistance = 1200 128
- • L3_cameraDistance = 1000 128
- • L2_cameraDistance =800 128
- • L1_cameraDistance = 700 128
- Click here to hide the 131
- Working With Expressions 133
- Creating Flicker on the Light 140
- • rndVal is set to rnd(time) 143
- Outside1 Crop1 153
- • Set xPan to 153 158
- • Set yPan to 87 158
- • Set xAngle to –7.5 159
- • Set yAngle to –25 159
- • Set zAngle to –195 159
- • Leave center (x, y) at 80 159
- KeepValue mode KeepSlope mode 160
- Using Keylight 163
- Using Keylight to Pull a Key 164
- Advanced Keylight Techniques 175
- The Joy of JPEG 176
- Using a Holdout Matte 179
- Keylight1 alpha HoldKey alpha 180
- Using Primatte 183
- Inner Mechanics of Primatte 186
- Managing Operators 190
- Masking Primatte 191
- Attach a Holdout Matte 192
- Spill Suppression in Primatte 194
- Tracking and Stabilization 201
- Stabilizing an Image Sequence 202
- Using the MatchMove Node 208
- Adjust the Sign Position 216
- Before After 218
- No shadow With AddShadow 221
- Frame 1 Frame 30 224
- Working With Macros 225
- Creating a Handmade Macro 226
- -Rotate2.angle 227
- Starting the Macro Format 230
- Saving and Testing the Macro 232
- How to Set Slider Ranges 237
- Creating Clean Plates 243
- Not aligned 256
- Shift-drag to position 258
- Clone source 258
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